Entertainment
Kanye Claims ‘Moon’ Collaboration Ended Frank Ocean’s Career
Kanye West is back in his true fashion, no filter, no fucks given, and this time he’s dropping bombs on Frank Ocean. In an interview with DJ Akademiks, West, who was clad entirely in black clothing that most people said resembled a KKK outfit, held back no punches, aiming at his peers in the industry. Everyone from Kendrick Lamar to Playboi Carti was a target, but his comments about Frank Ocean rocked the music world. Kanye had the audacity to say that he was the reason Frank Ocean was now largely hidden in music, citing their pairing on the 2021 collaboration Moon as the bone of contention.
“When I did Moon it essentially took Frank Ocean’s [career] away, You know?” Ye said with confidence. “He ain’t even had a song since then!” He didn’t just stop there. In a signature Ye flex, he continued, “Any genre of music that any person has, I’m a make a better version of it.” It’s a big claim, even for a guy who rewrites narratives and egos at will. Frank Ocean, a sometimes perhaps over familiar “voice of a generation” in alternative R&B and experimental pop, has always chosen a more mysterious path through the world of music releases. His silence often has seemed intentional. But Kanye, never leaving nuance to his own devices, turned that silence into a victory lap for himself.
Check out this article: Sexyy Red Stands Tall Amid Criticism, Claiming Title as “Most Hated Female Rapper”
On one hand, this is Kanye being Kanye playing troublemaker, stirring the pot and reinforcing dominance over the music landscape in the loudest possible way. On the one hand, it’s a nerve struck. Frank Ocean’s artistry, emotional depth, and genre-bending vulnerability have created a space that Kanye, despite his genius, has never really occupied. The irony, of course, was that Moon was celebrated because of its supernatural feel. If anything, the song was received by many fans as a kind of spiritual link between Kanye and the very sonic landscape Frank helped create. So, did Kanye actually “end” Frank Ocean’s career? That’s up for debate. He still knows how to keep his name in your mouth, even if he has to rewrite someone else’s legacy to do it.
Entertainment
The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia
The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”
They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”
The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.
That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.
Entertainment
Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo
Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.
The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.
Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.
This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.
-
Artist Spotlight6 days agoBurd & Keyz celebrates a new chapter through hip-hop on latest release “Miracles”
-
Artist Spotlight6 days agoELISA MINELLI offers courage in your own hands with latest release “Grab Your Guitar”
-
Artist Spotlight6 days agoALEXATOR turns electric guitars and synths into pure energy with latest release “Through the Fire”
-
Artist Spotlight4 days agoiLLLACAT brings sharp bars and catchy production with latest release “Like Dat”
-
Artist Spotlight6 days agoEylsia creates an electronic energy on latest release “Music in My Mind”
-
Artist Spotlight4 days agoJoshua Jamison unveils intimacy and a full rock expression on latest release “Windows”
-
Artist Spotlight6 days agoKarate Boogaloo proves simple riffs still hit hard on latest release “Down Home”
-
Artist Spotlight4 days agoALPHA CENTAURI blends hip-hop, funk and afrobeat ambition on latest release “The Future Right Now”

