Artist Spotlight
North Shy leaves imperfection exposed with “i’ve” from the EP “aftermath”
There is something deeply compelling about an artist willing to leave imperfections exposed, and in the “aftermath,” North Shy does exactly that. Created entirely by 24-year-old singer, songwriter, and producer Kieran Garing from his bedroom in Lafayette, Indiana, the six-track EP feels raw in the best possible way, intimate, restless, and emotionally unguarded. Rather than polishing away the pain, North Shy leans into it, allowing every song to sound like a late-night thought spiraling out of control.
From the opening seconds of “I Meant to call,” the EP immediately pulls listeners into its atmosphere. The track bursts forward with energetic drums and mild hi-hats before unexpectedly melting into a calmer, soothing rhythm. It is an impressive introduction that not only highlights North Shy’s textured, emotionally expressive vocal delivery but also establishes the project’s emotional unpredictability. The transitions feel natural, almost like emotional waves crashing into each other without warning.
What makes “aftermath” stand out is how cohesive the emotional storytelling feels across its 20-minute runtime. The project moves through obsession, regret, resentment, memories, and acceptance without ever sounding forced or overly theatrical. Instead, every moment feels lived-in. There is no attempt to romanticize heartbreak here. North Shy presents emotional exhaustion exactly as it exists, messy, repetitive, and difficult to escape.
One of the most memorable moments arrives with the closing track “i’ve,” opening with the striking line, “you said you never meant to hurt but you, yeah, you always do.“ It is the kind of lyric that instantly cuts through the noise because of its directness and relatability. The song closes the project beautifully, not with resolution, but with emotional honesty. With the “aftermath,” North Shy proves that great music does not require massive studios or industry machinery. Sometimes, all it takes is vulnerability, sleepless nights, and the courage to document the emotional wreckage left behind.
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Artist Spotlight
Neurolapse opens up buried feelings into a rebellious release “Fvck These Feelings”
Neurolapse channel released feelings that had been held inside for too long with “Fvck These Feelings.” That emotional urgency also translates into the writing process itself, with some of the lyrics coming in the early hours of the morning and insisting on being put down. From there, it was developed into a track that turns personal emotional pressure into a collective experience for listeners.
What is interesting about the song is the tension between the emotional base it draws on and the freedom it seeks to create. The song is born of the difficulty of releasing painful feelings, but its effect is anything but restrained. The band wants the song to make listeners dance, shout along, and let go of the emotions they have been carrying. This gives “Fvck These Feelings” an intuitive quality, turning frustration and emotional exhaustion into an opportunity to let go.
Something is refreshing about the song’s directness. Instead of bottling up feelings and keeping them a secret, “Fvck These Feelings” celebrates the messy process of letting them out. It gives people a chance to identify what they’ve been holding on to, and a place to let it out. Neurolapse takes a tough internal experience and turns it into something energetic, expressive, and communal. This is a track designed not simply to be heard, but to be felt and released through movement.
Artist Spotlight
KUILL unveils a testimony from the pain of memory on latest release “Last Night”
KUILL‘s latest release, “Last Night” is a very human approach to memory. It is about those moments we only realize were important after they are already gone. This song is not about a specific event, but about growing up, about time passing and about people and places we once assumed would always be there. Its emotional core is born of the painful realization that a final moment rarely announces itself as it unfolds.
“Last Night” is subtle yet cinematic, letting KUILL’s signature voice do the heavy lifting in telling the story. His restrained vocal delivery creates space for the listener to bring his own memories. Its shimmering world can be the last evening before leaving home, a family holiday, or a carefree summer with childhood friends. The result is intimate, yet it doesn’t constrain the listener’s interpretation.
The artwork accompanying the piece enhances that feeling with broken reflections of KUILL, placing him between past and present. It’s the essence of the song: memories tend to fade with time and become less about the details of what happened and more about how those times made us feel. “Last Night” takes that quiet sadness and lets you sit with it.
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