Music
The Best New Hip-Hop This Week
Getty Image / Uproxx Studios Uproxx’s new column includes albums, videos, and songs from Megan Thee Stallion, Jeezy, Chief Keef, and more. …

Welcome to The Best New Hip-Hop This Week! You may have noticed that my usual column, The Best Hip-Hop Albums Coming Out This Week… did not come out this week. You also may have noticed that Uproxx’s other faithful hip-hop column, All The Best New Rap Music To Have On Your Radar, is also kaput, as its author Andre Gee has moved on from Uproxx. We wish him well and we’re all very proud of him.
His departure has left a void, however — a void that must be filled, due to both the laws of nature and the hunger hip-hop fans have for new writing about the latest and the greatest content the culture has to offer. To that end, this new column will sort of combine both the old columns into a “best of both worlds” situation, only without the creepy R. Kelly connection. Basically, I’ll be a one-man Watch The Throne — or Super Slimey, if you’re a little younger/more Southern — delivering commentary on all the best releases in hip-hop each week, from albums to songs to videos and even the occasional Verzuz battle. It’s a work in progress, so bear with us as we get this thing off the ground.
Here is the best of hip-hop this week ending November 20, 2020.
Albums
Courtney Bell — Poverty Stricken
Detroit newcomer Courtney Bell brings streetwise raps and progressive thinking to his debut tape, which features a verse from TDE’s Reason. Riding the line between backpacker’s density and mainstream accessibility, Bell counts Nipsey Hussle as one of his primary influences.
Jeezy — The Recession 2
Smartly pairing the release of his latest album to the hotly anticipated Verzuz battle between himself and former rival Gucci Mane, Jeezy gave a preview of what to expect from the sequel to his fan-favorite 2008 album with the single “Therapy To My Soul.”
LVRN — Home For The Holidays
Hip-hop could always use more Christmas albums. 6lack, Boogie, Summer Walker, and the gang are more than happy to oblige.
Megan Thee Stallion — Good News
Overshadowing just about any other release this year, Houston hottie Megan Thee Stallion finally delivers her long-awaited major-label debut album. Boasting appearances from Big Sean, City Girls, DaBaby, Lil Durk, Popcaan, SZA, and Young Thug, it’s certainly a star-studded affair. However, ahead of its release, fans’ attention remained sharply focused on the opening track “Shots Fired,” on which Megan was expected to finally address her alleged shooting by Tory Lanez on record. The song didn’t disappoint, using Biggie’s “Who Shot Ya?” to refute Tory’s smear campaign.
Rexx Life Raj — California Poppy 2
Over the course of the last few years, Berkeley’s Rexx Life Raj has carved himself a lane as a provider of mellow, thoughtful tunes that weave breezily between soothing R&B singing and tongue-twisting, eyebrow-raising rap. The sequel to his popular 2018 EP delivers more of the same, from the motivational “Tesla In A Pandemic” to the boastful “Look At This.”
Russ — Chomp
Refocusing fans’ attention on his raps instead of his antics, Russ hangs right in there with rap luminaries like Black Thought and Busta Rhymes, even though he ultimately becomes an afterthought on most of his own EP.
YSN Flow — Long Story Short
Ohio rapper YSN Flow has been building his buzz over the past year and a half, paying off their patience with this mixtape produced by Iceberg Beatz.
Events
Verzuz: Gucci Mane Vs. Jeezy
In what could very well have been the best Verzuz matchup yet, two of Atlanta trap rap’s founding fathers met up for the first time in fifteen years to dispel all the bad blood between them — of which there is plenty. Of course, it wasn’t all water under the bridge; Gucci Mane brought some serious aggression to Atlanta’s fabled Magic City, where the battle took place, dredging up quarrelsome mixtape classics like the taunting “Truth.” In the end, as always, the real winner was the culture, as the two united to perform their only collaboration (and the song that kicked off their feud in the first place), “So Icy.” The battle ended with the sense the pair would never be friends but would at least keep the violence to a minimum — for the kids.
Singles
Boldy James feat. Stove God Cooks — “Thousand Pills”
Old-fashioned boom-bap drug rap at its finest.
Kembe X feat. Ab-Soul & IceColdBishop — “Back At It”
Ab-Soul goes bonkers on this one, Kembe X does his thing, and newcomer IceColdBishop brings uncommon energy.
YFN Lucci — “September 7th”
A heartbroken anthem of betrayal and survival, Lucci is at his caterwauling best.
Yung Baby Tate — “Rainbow Cadillac”
Bringing the same sort of raucous, estrogen-powered energy as Flo Milli did earlier this year, the Atlanta rapper introduces her next phase.
Videos
Chief Keef & Mike Will Made-It — “Status”
One part horror movie score, one part classic drill revenge fantasy, “Status” reunites the two collaborators seven years after Keef’s debut album.
Lil Tjay — “Move On”
Mellow guitars and heavy 808s backdrop Lil Tjay’s wistful anti-love letter.
Saweetie feat. Jhene Aiko — “Back To The Streets”
The long-awaited video references everything from the beauty shop to Steven Spielberg.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”
DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.
The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.
“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.
The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.
Connect with DONELLI A.I. ENSEMBLE on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Mark Cee revisits the past and moving forward with new Album “Ghost Talk Show”
“Ghost Talk Show” by Mark Cee is a nine-track folk-rock and singer-songwriter album about memories, reflection, and the intricacies of looking back. The record’s acoustic and alternative folk roots lend it an intimate musical character, while the individual songs explore different emotional perspectives on home, memory, regret and moving forward.
The album opens with “Wish You Were Coming Home”, immediately setting the collection on a personal path. “Drifting Back Again” looks to the strange comfort of remembering times that were hard at the time, pointing to how memory can alter the emotional valence of past experience. That reflective quality is a natural part of the album’s broader folk-orientated approach, one where atmosphere and storytelling combine.
Another catchy moment arrives with “And Now The Rain Is Gone”, a track about the choice not to look back. It is an important counterpoint to the rest of the album, which is steeped in memory. Earlier songs may explore the past, but this one suggests the possibility of moving beyond it.
The album’s closer, “Don’t Buy Gas Station Gummies”, takes the album into a more unique rock setting with its catchy electric guitar. That alteration gives the ending a different energy but still within the eclectic folk-rock framework of the record. “Ghost Talk Show” by Mark Cee is a balancing act, combining electric-texture moments with acoustic songwriting across nine tracks that move between recollection and release. The most interesting thing about it is the way its songs touch on memory from different angles, allowing the album to feel less like a single statement and more like a conversation with the past.
Connect with Mark Cee on Spotify || Instagram || Facebook || Youtube
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