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Megan Thee Stallion’s Choreographer JaQuel Knight on That Epic AMAs Performance

After giving the world the iconic dances from “Single Ladies” and “WAP,” Knight teamed up with Megan Thee Stallion for a game-changing live set….

Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

Photo: Emilio Coochie

Having a diverse skill set allows Knight to pull off arresting moments like Megan’s American Music Awards set, which utilized video, dramatic transparent costumes, and a smoke-filled stage to set a mood. When he began working with the artist at the tail end of 2019, he was keen on taking her live performances to the next level. “It’s just teaching her stage etiquette, “ he explains. “The tools required for superstardom, to become a household name, and soar freely on and off the stage.” The dance was an essential element, one that required daily practices that began in the wee hours. “There has to be a commitment to the art form; it all starts with them,” Knight says of the line between a good and great performer. “Meghan is putting in the hours, she’s working hard, and this is all happening incredibly fast for her. Because she’s such a natural, it can look easy, but this is a first for her, and she’s learned so much about how to execute [a performance] on a high level.” 

She may have gone from college student to hip hop superstar seemingly overnight, but when it came time to master the physically demanding choreography for “Body,” Megan was up to the challenge. A mix of NOLA bounce and stomp and shake styles, the routine ranks among Knight’s best—a version of it is featured in Megan’s music video for the song as well—and was a 180 from some of the star’s previous performances. “[Before] we saw one side of Megan with the twerking, and that’s kind of where people were starting to write her off,” says Knight. “My goal was to allow people to realize that she’s so much more than that.” Pushing into new territory wasn’t always easy. “There were some things that she was terrified of,” he says of the rig that descended from the ceiling in the show’s opening, and tackling new styles of dance. “To see her commit to the process and to doing whatever it takes to deliver that knockout, stellar performance was beautiful. She’s not playing—we put on a show like nothing we’d ever done before.” 

With the #Bodyodychallenge already spreading on TikTok and Instagram, Knight’s work appears to be done, but there’s plenty more he’s eager to tackle soon—TV, film, music, it’s all on the table as long as it connects with his audience. “My biggest thing is creating formats that speak to people who love the arts,” he says. “The sky is the limit; in the last 12 years, I’ve been able to do so much, but I’m just getting started—this is the only the introduction, my opening number.” 

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Below, Knight shows Vogue a few behind-the-scenes moments from the rehearsals for last night’s performance.

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Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

Knight backstage during rehearsals.

Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

“This takes place at the beginning of the first hook. Here we see the dancers strutting forward, off of the platforms.”

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Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

“This is at the beginning of the second hook and the move is inspired from New Orleans movement, The NOLA Bounce.”

Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

“The group groovin’ and rockin’ during the second pocket of the second verse.”

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Megan Thee Stallions Choreographer JaQuel Knight on That Epic AMAs Performance

“This is called the Stomp & Shake and it’s from HBCU (Historically Black College and University) culture.”

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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy

Jay-Z

The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.

Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.

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The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.

Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?

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While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.

As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.

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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims

Jay-Z

In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.

Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.

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The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.

Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”

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This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.

The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.

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