Music

Diddy Once Mistook Jeff Tweedy For A Grammys Usher And Demanded His Programs

‘He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.” …

Wilco leader Jeff Tweedy has proven to be a delightful late-night talk show guest in recent years, whether he’s promoting Wilco material or his own solo work. He popped up again last night on Late Night With Seth Meyers, where he told the story of the time Diddy mistook him for an usher at the Grammys.

Tweedy told the story through laughter from himself, Meyers, and some off-camera Late Night staff. Meyers said the tale took place at the first Grammys ceremony Tweedy attended with Wilco, which would have been the 41st Annual Grammys in 1999, where Mermaid Avenue was nominated for Best Contemporary Folk Album. Tweedy was standing outside the bathroom holding a stack of programs belonging to his Wilco bandmates and their guests when Diddy approached him. Tweedy said, “P. Diddy walked up to me and he thought I was an usher handing out programs. He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.’ I’m like, ‘No, they’re mine.’ It didn’t escalate, thank goodness.”

Artist Spotlight

Luke Panayiotou crafts intimacy and discovers love and purpose on “Am I In Love Again?” EP

“Am I In Love Again?” by Luke Panayiotou arrives as a quiet confession after years of silence, an intimate, self-made EP that’s his first release after a five-year hiatus, and it sounds so honest. This 3-song, 12-minute project is a reintroduction, and everything was written, performed, and arranged by the artist.

And since the EP combines acoustic, folk, rock, and ambient singer-songwriter sounds, it has a natural, personal feel. The recording was done at Oscillate Recording Studios in Knutsford/ Manchester with a warmth that allows Panayiotou’s vocals to shine through. The most emotional song on the EP is the title track, “Am I in Love Again.” It quietly examines falling back in love, the short bursts of overwhelming emotion that help you remember why you fell for someone in the first place.

“Back Around” tells a more contemplative story of perseverance. It’s about setbacks and the quiet resolve to continue, even when it feels like you’re on the verge of success. “Wherever I Go” is a triumphant end to the EP. Its upbeat, unifying energy celebrates connection, romantic, platonic, or otherwise. It accomplishes this by casting loyalty and presence in a more favorable light.

Panayiotou defines every aspect of “Am I In Love Again?,” from the songs to the cover art. This lends the work a cohesive artistic vision that feels both personal and enveloping. This EP shows that sometimes you need to take a step back to step forward with clarity and purpose.

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Artist Spotlight

Dan Holcomb creates a journey of letting go with “Sail Away”

Dan Holcomb’s new single, “Sails Away,” takes listeners on a very deep journey. The track builds slowly, deliberately, and with emotional clarity, then captures how life’s burdens accumulate and how powerful it is to let them go. His unique mix of Southern rock, Americana, and pop-rock makes it what it is.

“Sails Away” starts with just an acoustic guitar, which makes it feel like you’re in a private space right away. As the song goes on, more and more parts come in, like soft harmonies, and finally a full band arrangement that makes the song feel big and almost spiritual. It feels like a release at the end, like letting go of your breath after holding it for too long.

Pete Vogl and Shawn Grove produced, which fits the song’s emotional arc perfectly. Each part of the music is carefully placed, so it never feels forced. Tessa Joy’s background vocals give the song warmth and depth, and the group of experienced session musicians, Gerry Hansen on drums, Michael Steele on bass, Michael Doke on electric guitar, and Lee Davis on keys, adds richness and texture.

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The main idea of “Sails Away” is that it takes a lot of guts to let go of the things that weigh you down, whether they are emotional, personal, or something else. Holcomb’s delivery feels real and lived-in because it is grounded in what he knows and has been through.

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