Entertainment
The Breakfast Club: Barack Obama Sits Down For In-Person Interview About Democracy, Racism, Marital Issues, And What He Did For Black Folks [Video]
President Barack Obama stops by for a socially distanced version of The Breakfast Club to talk about ideas from his new book “A Promised Land.” …
Barack Obama has been a very busy 44th POTUS lately.
President Obama has been everywhere promoting his new record-breaking memoir “A Promised Land”. This morning, The Breakfast Club had the opportunity to sit down in-person with the man himself to talk about not only the book, but a myriad of topics that concern him like the erosion of democracy under the Trump administration, the marital issues that he’s faced with Forever First Lady Michelle, and racism.
The President also addressed the ongoing elephant in the room, “what has Barack Obama done for Black people?”
We know that the trolls, the ignorant, and the haters love to rant about how President Obama did “nothing for us” during his eight years in office when nothing could be further from the truth. Sure, maybe your whole family isn’t swimming in gold coins like Scrooge McDuck, but that doesn’t mean that there aren’t a list of things that he implemented that helped plenty of people in our community. Maybe it’s a marketing problem. If he had just named these policies “strictly 4 my ni**az” then maybe people would be more inclined to do the knowledge but we digress.
Press play down below and peep the conversation that DJ Envy, Angela Yee, and Charlamagne Tha God had with good ol’ Barry-O.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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