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Bad Bunny Recruits Rosalia And More For His Upcoming ‘El Ultimo Tour Del Mundo’ Album

Getty Image The album would be Bad Bunny’s third release of the year after ‘Yo Hago Lo Que Me Da La Gana’ and ‘Las Que No Iban…

Out of all the artists in the music industry, Bad Bunny has been one of the most active names this year. The Puerto Rican artist has already released two albums this year with March’s Yo Hago Lo Que Me Da La Gana and May’s Las Que No Iban a Salir. The former became the highest-charting Spanish language album ever after it peaked at No. 2 on the Billboard album charts. While two albums is already quite productive for a calendar year, Bad Bunny isn’t slowing down anytime time soon as the Latin act announced his third album of 2020 would arrive this Friday.

Bad Bunny took to his social media to announce El Ultimo Tour Del Mundo and revealed its tracklist. The singer presents sixteen songs on the upcoming project with guest appearances from Rosalía, Jhay Cortez, and ABRA. The announcement arrives shortly after the singer landed a role on the upcoming third season of Nacros: Mexico.

On a more unfortunate note, Bad Bunny was recently forced to cancel his 2020 AMAs performance after he tested positive for coronavirus. While his appearance was missed, he did go home with two awards in the Favorite Male Latin Artist and Favorite Latin Album categories at the show.

Check out the artwork and tracklist for El Ultimo Tour Del Mundo below.

01. “El Mundo Es Mio”
02. “Te Mudaste”
03. “Hoy Cobré”
04. “Maldita Pobreza”
05. “La Noche De Anoche” Feat. Rosalia
06. “Te Deseo Lo Mejor”
07. “Yo Visto Asi”
08. “Haciendo Que Me Amas”
09. “Booker T”
10. “La Droga”
11. “Dakiti” Feat. Jhay Cortez
12. “Trellas”
13. “Sorry Papi” Feat. ABRA
14. “120”
15. “Antes Que Se Acabe”
16. “Cantares De Navidad”

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El Ultimo Tour Del Mundo is out 11/27 via Rimas Entertainment.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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