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Young Thug Explains Why He Never Worked With Andre 3000: ‘Dre Likes His Ass Kissed’

Thug previously worked with Elton John and used that experience to contrast their approaches to collaboration. …

Despite being a pioneer for Atlanta hip-hop to the mainstream in the ’90s and 2000s, Andre 3000 doesn’t quite get the same level of love from his hometown successors. Although his work as a member of Outkast is often referenced in comparing the stylistic innovations of newer ATLien rappers to their predecessors, some of those predecessors aren’t exactly checking for Andre themselves. During his appearance on T.I.’s podcast ExpediTIously, Young Thug — is arguably the current epicenter of Atlanta rap — explains why he never much paid attention to Andre 3000.

“I can’t rap you two Andre 3000 songs,” he said. “I ain’t never paid attention to him. Never in my life.” When T.I. tells him that he’s “missing out” and says they need to work together, referring to his recent collaboration with Elton John. Thugger disagrees though. “But the difference between Elton John and Andre is, to simplify it, Elton John likes to kiss ass, and Dre likes his ass kissed. Elton John like “Hey! I like you, I remember your first song, I remember Gucci first song. When Guwop getting out?’ He a fan type of n****, to the point where I’m like, ‘Let’s do music,’ and he’s like, ‘N**** bet!’ Andre more like, ‘This is his secretary. Tell the n**** it’s Thug, n****.’”

T.I. also compares Andre’s fashion pioneering to Thug’s, prompting the younger rapper to explain why he wore a dress on his Jeffery cover. “That sh*t was just that simple,” he said. “That motherf*cker matched! It was not for attention. That’s on the Holy Bible, that’s on my kids.”

Watch Young Thug’s discussion with T.I. above.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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