Music

Lil Nas X Reveals What John Mayer Said To Make Him Cry

The ‘Holiday’ rapper spent his Thanksgiving becoming a meme courtesy of his reactions to extremely hot wings. …

It seems all the best stories from Complex‘s Hot Ones interview show come from the segment in which host Sean Evans pulls a photo from the guest’s Instagram and prompts the guest to explain it. It’s also probably no coincidence this segment usually comes after the first few wings have lowered the subject’s guard but before those last three tear them apart and reduce them to coughing fits, tears, and pained contortions.

Shortly before Lil Nas X wound up doing all the latter (while struggling to guzzle an entire carton of soy milk, no less), he was asked just what John Mayer once said to him to make him cry as a photo of the two flashed across the screen. “Maybe he said something super inspirational,” Nas answered. “John Mayer’s a super cool dude. He just says cool sh*t.” He elaborates that the two were at Columbia Records CEO Ron Perry’s party once, “And then John Mayer just walks by the pool and says something super cool and walks away. And it made me cry a little bit.”

After that, though, the interview quickly turns toward Nas’s expert use of the internet and memes — right before he manages to turn himself into another one. Unfortunately, he has no one to blame but himself (seriously, watch to end).

i’ve had enough. i’m deleting twitter. kik me if y’all wanna stay in contact. https://t.co/xyY3SNxUjs
— nope (@LilNasX) November 27, 2020

Watch Lil Nas’ full interview with Hot Ones above.

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Artist Spotlight

Jeff Hodges delivers a reflection of life and meaning with “I Believe”

Jeff Hodges’ latest release, “I Believe,” is a tender Americana and country-leaning ballad that embraces the simplicity, honesty, and emotional clarity of a warm and reflective space. The song feels timeless with a grounded authenticity built on influences that sound like Zach Bryan, Chris Stapleton, and Leon Bridges.

The first notes of “I Believe” are soft and calm. The performance is purposeful as a slow-burning arrangement that feels like open roads, quiet mornings, and moments of pause in an otherwise fast-moving world, with a soundscape of soft acoustic textures and subtle country instrumentation. Jeff Hodges speaks in a natural, authentic voice. His tone is warm, measured, and full of feeling.

The song is about peace, gratitude, and finding meaning in the ordinary. It’s searching for little intimate truths, such as the gift of presence, the significance of relationships, and the beauty of the everyday. “I Believe” is a testament to Jeff Hodges as an artist dedicated to honest, emotion-driven storytelling. It’s a song that just asks us to slow down, breathe, and remember what’s important.

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Artist Spotlight

With “CLAIM IT ALL,” X-ANONYMOUS takes us on a dark journey through control, chaos, and rebirth

X-ANONYMOUS is back with a blistering new release, “CLAIM IT ALL,“ a hard rock and metalcore smackdown that takes intensity, emotion, and aggression and blasts them into a tightly controlled tempest of sound. It is a combination of guitar riffs, industrial textures, and unrelenting rhythmic drive.

It explodes, launching you into a fractured psychological space where the self is always challenged and reinvented. “CLAIM IT ALL” is about the struggle between self-control and external control. The song encapsulates the crushing burden of manipulation and coercion, creating a terrain in which the mind is a battleground. Every change appears to have a reason, mirroring a spiral into internal chaos and the attempt to slowly regain individual strength.

There’s an emotional undercurrent that suggests awakening, and it tempers the aggression of the instrumentation. It is as though a constant tug and pull exists between collapse and control, as if the track itself were trying to get away from its own limitations. X-ANONYMOUS’s powerful statement is bold, unfiltered, and unafraid to face the darkness to rise above it. “CLAIM IT ALL“ It’s a reminder of how identity always fights back when it’s repressed.