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Fivio Foreign Parties With The Late King Von In His Raucous ‘Trust’ Video

‘Trust’ is the latest single from Fivio’s upcoming album, ‘B.I.B.L.E.’ …

Fivio Foreign’s debut album B.I.B.L.E is reportedly due in December and he’s been dropping off new singles for the last several weeks. Today’s entry to that collection of singles is “Trust,” which arrived with a mellow music video that offsets the energetic production from Axl Beats. The video finds Fivio and his friends having a house party and even features a cameo from the late Chicago rapper King Von.

Fivio’s star rose like a rocket this year after he was selected to represent the burgeoning Brooklyn drill movement on the XXL 2020 Freshman Class. During the customary cypher for Fivio’s group, his flirtation with Mulatto made the two trend on Twitter, then he capitalized with the Polo G-featuring “Bop It” video.

With videos for “Move Like A Boss” featuring Young M.A., “Zoo York” with Lil Tjay and Pop Smoke, and “Ah Ah Ah” with DreamDoll, Fivio Foreign is picking up steam ahead of his release, which also included the song “Salute” with Hit-Boy and Big Sean.

While there isn’t a release date announced for B.I.B.L.E just yet, Fivio aims to have the album released sometime in 2020. With only one month to go, there isn’t much time left so keep your eyes open.

Watch the “Trust” video above.

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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