Story
Adam Gase Responds To Gregg Williams’ Criticism: “Everyone Needs To Shut Up & Play”
Tensions between New York Jets head coach Adam Gase and the team’s defensive coordinator Gregg Williams reached a new high, Sunday, when Gase responded to Williams’ criticism of the offense by saying that everyone “needs to shut up and play.”
Mark Brown / Getty Images
“That’s not what we need,” Gase told CBS when discussing Williams’ comments. “No one is pointing fingers. We need to pull in the same direction. Everyone needs to shut up and play.”
The Jets’ defense is allowing over 32 points per game entering Week 6, and the team is 0-5 to start the season.
“It’s not a very good number — and a lot of it’s not all defensively,” Williams said when asked about the team’s poor defensive effort thus far, Friday. “It’s points on the board and we’ve got to do a good job of that, and how you do that is make them kick more field goals, got to do a better job in field-position-type things.”
Williams was asked to clarify his statement, to which he responded “you’d have to figure it out,” and ended the video call.
Earlier this week, the Jets released star running back Le’Veon Bell after being unable to get anything in return for a trade.
The Jets play the Dolphins, Sunday, who will enter the game 2-3.
[Via]
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
Story
François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
-
Artist Spotlight6 days agoJodi DiPiazza takes listeners to a late-night jazz club with new release “The Rhapsody of Swing”
-
Artist Spotlight6 days agoD. Edge brings a modern twist with new release “TVLK THVT TVLK”
-
Artist Spotlight5 days agoLusinate turns viral energy into dancefloor gold with “Bounce for Me”
-
Artist Spotlight2 days agoOuroboric explores the dark side of love with “Sin Eater”
-
Artist Spotlight2 days agoEileen Carey finds strength in letting go on reflective track “This Is Where”
-
Artist Spotlight2 days agoKENTON journeys through family, identity and healing in “Sweetmouth (Sugar Free)” (EP)
-
Artist Spotlight2 days agoTerrell Journey rewinds emotion and identity in cinematic EP “Retrograde”
-
Artist Spotlight2 days agoJNabe blends energy and rhythm on new dancehall single “Respect Her Bag”