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Artist Spotlight

Alan Dreezer unleashes a heartfelt dazzle with the newest release, “(Love Didn’t Hurt Me) IT WAS YOU”

Alan Dreezer

Every cathartic and mesmerizing note Alan Dreezer delivers in his newest single, “(Love Didn’t Hurt Me) IT WAS YOU,” proves his growing artistry as a charming songwriter from Eastbourne East Sussex. The poignantly polished yet groovy anthem beautifully merges the vulnerability of heartbreak with the timeless allure of classic RnB stirred by a masterclass of modern electro-pop sensibilities. This fourth single from his upcoming album, ‘NOTHING CHANGES IF NOTHING CHANGES,’ feels like a late-night confession set to music, inviting listeners into an incredibly soulful and profoundly honest nostalgia.

Taking cues from legends like Michael Jackson and George Michael are unmistakable, Dreezer channels their iconic style reminiscences of the 80’s vibes while carving out his unique sound. The track features a silky blend of lush vocals and rich instrumentation, a soulful bassline that echoes in your chest, complemented by lyrics that hit right in the heart. Produced by his long-time collaborator, Elliot Richardson, at Highfield Studio, the track’s meticulous production is pristine, giving Dreezer’s crisp voice the spotlight it deserves without overwhelming its emotional rhythmic core.

What truly sets this song apart is its lyrical ability to express strength through a transformational empowerment ballad. Dreezer masterfully dissects the pain of love gone wrong, shifting the blame from love itself to the person who misused it. The refrain, “Love didn’t hurt me, it was you,” is as catchy as it is cutting a mantra for anyone who’s been through the wringer of a toxic relationship.

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It’s evident that Dreezer’s evolving catalog has garnered substantial praise from fans and critics alike for his unparalleled level of artistry in forging emotional authenticity. The must-listen song “(Love Didn’t Hurt Me) IT WAS YOU” epitomizes the pinnacle of R&B soul, establishing a high standard for future releases. Its enduring impact extends beyond the final note, deeply resonating with its audience.

 

For more information about Alan Dreezer, please visit [website]. 
CLICK HERE TO STREAM Alan Dreezer’s (Love Didn’t Hurt Me) IT WAS YOU on Spotify.
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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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