Entertainment
#AMAs: Jennifer Lopez Accused Of Copying Beyoncé’s Whole Entire Everything (AGAIN), Shatters Stan Twitter
Twitter reacts to Jennifer Lopez’s spicy performance at the 2020 American Music Awards that was eerily similar to Beyoncé’s “Drunk In Love” performance at the 2014 Grammys …
Now, Jenny…
Last night’s 2020 American Music Awards had some, uh, interesting moments.
The Weeknd said he challenges the genre of R&B (HUH?), Doja Cat won Best R&B/Soul artist (WHET?) and Jennifer Lopez appeared to borrow/completely copy (depending on who you ask) Beyoncé’s whole entire routine (and aesthetic) from her iconic “Drunk In Love” performance at the 2014 Grammys.
While there were some enjoyable moments (mostly involving host Taraji P. Henson), it was J. Lo’s performance/Beyoncé cosplay/tribute that sent Twitter into a TIZZY.
Source: ABC via Getty Images
At first glance, you may have even thought J.Lo was Bey during her spicy duet with Maluma where she rocked a sheer catsuit by LaQuan Smith and “wet” hairstyle eerily similar to Bey’s.
Naturally, some people defended the very familiar performance but knowing what we know about J.Lo we’re not too sure this was just another coincidence in a series of coincidences.
“Not JLo dressed the exact same way as Beyoncé did for her “Drunk in Love” performance at the Grammys. Even down to the wet hair and the chair”
But the J.Lo stans clapped back.
“JLO has been doing this chair dance for years even performs it in Vegas y’all are so problematic and bored.. they need to let y’all go outside more,” a J.Lo fan claimed.
There were also those who didn’t see any similarities at all.
“Anyone else not getting Beyoncé drunk in love Grammy performance vibe with this JLO performance”
Do you think Jenny knowingly copied Bey? Tell us in the comments and peep the Twitter hysteria over J. Lo’s very Beyoncé-esque performance on the flip.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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