Music
Ariana Grande, Chance The Rapper, And More React To Joe Biden Officially Becoming The 46th President
Ariana Grande Other reactions were shared on Twitter by John Legend, Reason, Wale, Lil Nas X, JID, 6lack and more. …

The year’s presidential election has been a rollercoaster from start to finish. Following a pair of unorthodox debates as well as an election day that turned into more of an election week, the long ride is over: On Saturday morning, Joe Biden was officially crowned the 46th president of the United States. Shortly after the announcement was made the music world took to social media to celebrate.
CRYING @JoeBiden @KamalaHarris
THANK GOD
— Ariana Grande (@ArianaGrande) November 7, 2020
AYYYYYYYYYYY
— Chance The Rapper (@chancetherapper) November 7, 2020
Congratulations to President-Elect Biden and Vice President-Elect Harris! Thank you for choosing to serve your country during these challenging times. pic.twitter.com/PEEPFexKFF
— John Legend (@johnlegend) November 7, 2020
Ariana Grande took to Twitter and wrote, “CRYING @JoeBiden @KamalaHarris,” followed by a group of white heart emojis, adding, “THANK GOD.” Chance The Rapper kept things simple by tweeting, “AYYYYYYYYYYY,” while John Legend opted for a longer message. “Congratulations to President-Elect Biden and Vice President-Elect Harris!” the singer said. “Thank you for choosing to serve your country during these challenging times.”
i used to take that lil nigga joe to school. lil bro used to always say one day imma be president. now look at em. shit crazy how life work! congrats tho lil bro
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— nope (@LilNasX) November 7, 2020
WE GOT A BLACK FEMALE VP! AMERICA IS GREAT FOR THE DAY!
— REASON TDE (@reasonTDE) November 7, 2020
Lil Nas X brought his trademark sarcasm, tweeting, “i used to take that lil n**** joe to school. lil bro used to always say one day imma be president. now look at em. sh*t crazy how life work! congrats tho lil bro.” Reason praised Vice President-elect Kamala Harris, writing, “WE GOT A BLACK FEMALE VP! AMERICA IS GREAT FOR THE DAY!”
You can find more tweets from the music world below.
. @JoeBiden @KamalaHarris and the American people, you just gave the world one of the greatest acts of kindness and bravery humanity has ever seen.
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nothing but love for our new Commander in Chief and the 1ST female VP elected to the White House. Also, way to go PA
pic.twitter.com/uXiMTWs6Hk
— Lady Gaga (@ladygaga) November 7, 2020
Now THIS is a PARTY IN THE USA! @JoeBiden @KamalaHarris
pic.twitter.com/zFKL1ncuSa
— Miley Ray Cyrus (@MileyCyrus) November 7, 2020
A black women is in the White House! We really doing our shit
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— drama. (@ThegirlJT) November 7, 2020
FUCK DONALD TRUMP
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— 4HUNNID (@YG) November 7, 2020
You ain’t got to go home Bruh bruh .. but you gotta get the fuck up outta here.
— Gold mouf (@lute_west9) November 7, 2020
just woke up to a new America, HOLY FUCK.
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— Kyle Dɨon (@iKyleDion) November 7, 2020
Voting Rights Act of 1965. That is the tweet.
— Sango (@SangoBeats) November 7, 2020
Biden walking into the White House pic.twitter.com/thiw4dNchw
— Bizness Boi (@BiznessBoi) November 7, 2020
https://t.co/Sp03qU5Zyz pic.twitter.com/rwb0CGh2nl
— Wale (@Wale) November 7, 2020
.Mac somewhere wit a ciggy in Heaven laughin down at bruh
bye bitch
— (J.I.D) (@JIDsv) November 7, 2020
everybody wave bye to that man… we got work to do on ourselves & for each other
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— black (@6LACK) November 7, 2020
BIDEN!!! PRESIDENT- ELECT !!!! HARRIS VICE PRESIDENT- ELECT !!!
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— Davido (@davido) November 7, 2020
JOE BIDDEN WON OMGGG
— jay (@JAYVERSACE) November 7, 2020
AHHHHHH!!!!!!!!!!!!
— CHASE B (@ogchaseb) November 7, 2020
the country saves itself from itself once again
— gallant (@SoGallant) November 7, 2020
baby i want joe biden, need joe biden
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— KAYTRA (@KAYTRANADA) November 7, 2020
Trump outta here
— Que (@Jacquees) November 7, 2020
— Trey Songz (@TreySongz) November 7, 2020
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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bye bitch
