Entertainment
Barack Obama Talks Trump, Racism, And Reveals That Michelle Never Wanted Him To Be President [Video]
President Obama talks Trump, Racism, Michelle not wanting him to be President …
Barack Obama has been keeping it very real as of late…
We already knew that Michelle Obama was the realest one walking, but new confirmation from her husband has further solidified that nobody is seeing her. Barack sat down for an interview with 60 Minutes that revealed some very intimate details about his relationship with Michelle from 2008-2016.
POTUS #44 kept it two Virgils about the Forever First Lady’s feelings on him running for the highest office in the land. Peep what she said:
“The answer is ‘no’. I do not want you running for President. God, Barack, when is it going to be enough?”
Wow. Wow. Wow. It’s chilling to hear that because for the 12 years that we have known Michelle Obama publicly she never even gave the slightest hint that she was unhappy to be living on 1600 Pennsylvania Avenue with her husband as the first Black President of these United States. She carried her displeasure with such cheerful aplomb that we never would have guessed. Very much unlike Melania Trump who looks like she’d rather be waterboarded than to have to fake like she loves her husband.
President hard-head went on to talk about the unprecedented social uprising and protests we witnessed this summer and also the ways in which Donald Trump’s refusal to concede to Joe Biden has damaged American elections. You can watch the full interview below.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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