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Black Hippy Went Absolutely Mad On “Black Lip Bastard Remix”

Though we never found ourselves blessed with a Black Hippy album, the collective of Kendrick Lamar, Ab-Soul, ScHoolboy Q, and Jay Rock have provided no shortage of classic tunes throughout the years. And perhaps none hits harder than the Black Hippy remix of Ab-Soul’s “Black Lip Bastard,” an anthem that found each member channeling the spirit of underground hip-hop to the fullest. Which is to say, prioritizing bars and attitude, a combination that imbues this one with plenty of charismatic character. 

Kicking off with a playfully lewd verse from Kendrick Lamar, who namedrops Nicki Minaj and Rihanna in a devilish scheme, it doesn’t take long for the competitive spirit to kick in. Each rapper seems eager to arise with the standout verse, though never at the expense of the song’s cohesion. While fans will likely debate who took the crown in comment sections for years to come, it feels difficult to ignore Jay Rock’s mighty contribution, in which he relentlessly attacks the ominous instrumental with a barrage of heavy-hitting punches. 

On today’s Throwback Thursday (though let’s be honest, there’s room for a throwback track every day), celebrate a moment where Black Hippy came through to deliver one for the hip-hop heads. Who do you think stole the show on this one?

QUOTABLE LYRICS

Mama taught you better, never clash with a giant
Unless you David, remember my n***a, I’m not Goliath
Feel the wrath of this titan
Hit some water, call it Poseidon
Wig out, then hit your ass with a trident
Money on the table my nigga, you know I’m all in
If rap was a drink, you wine, ni*ga I’m all gin

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Goat

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

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