Music
Black Thought And Royce Da 5’9″ Provide Excellent Verses To Tobe Nwigwe’s Wise ‘Father Figure’ Track
The track is the Houston native’s latest release as a part of his ‘Get Twisted Sundays’ series. …
As he’s done for the past few Sundays, Tobe Nwigwe makes his return with a brand new track for his growing fan base to enjoy as a part of his “Get Twisted Sundays” series. Back with “Father Figure,” the Houston native calls on a pair quality lyricists — Black Thought and Royce Da 5’9″ — to supply a pair of verses to the track.
Tobe’s latest track finds him declaring himself as a “father figure” to some of today’s rappers and his verse is one that definitely backs up that narrative. Supplied with a new music video, the three rappers resort to an empty house to deliver the excellent bars. Black Thought sits indoors in a long yellow coat as he gets his lines off while Royce picks the diving board of a pool as the backdrop for his rhymes.
The video is just the latest piece of content that proves Tobe Nwigwe is one of the best candidates for the “up next” title in the rap world. He first gained notoriety for his NPR Tiny Desk Concert from last summer. Additional highlights from the Houston native come from his most recent release, The Pandemic Project, which he shared this past summer.
The effort spawned some of his best tracks like “I Need You To (Breonna Taylor)” and “Try Jesus” which both gained traction on Instagram after it received support from Diddy, LeBron James, and more. On a more recent note, he shared “Wildings” with EarthGang and Duckwrth and “Bozos” with Big K.R.I.T. earlier this month, both of which will on his upcoming Cincoriginals album out next month.
You can watch the “Father Figure” video above.
Cincoriginals is out on 12/13 via Tobe Nwigwe. Pre-order it here.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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