Artist Spotlight
Bombyx Mori presents: “Chaotic Resonance”
Silk is often associated with smoothness and softness, but it is a material with many other qualities. It is incredibly strong and durable and has a rich history behind it. The manufacturing process is painstaking, involving domesticated silkworms humans have bred for so many generations that they no longer exist in the wild.
With such a poetic shot at its name, Bombyx Mori (Which is also the scientific name of the silkworm) is a band that combines various challenging music styles with open-minded lyrics and a deeper focus on existential and social themes. The story behind this project is fascinating. Stefano, the musician at the helm of the band, had to stop playing with his bands due to the COVID-19 pandemic. Like many other musicians out there, he found himself stranded and unable to do what he loved. Still, he persevered and came up with some unique ideas despite these challenges.
Cool concepts kept rolling, and he was able to come up with some bass patterns that eventually turned into full songs with the help of musicians from all over the world, who joined forces with him in order to bring these tracks to life.
The decision to invite a diverse group of outside musicians had a significant impact on the project. Not only did it bring a broader range of musical backgrounds, but it also introduced fresh ideas and excitement. The open-ended approach to creativity resulted in songs that benefited greatly from the collaboration of musicians from different parts of the world. It shows Stefano‘s ability to continually explore new sounds, but at the same time, remaining rooted in a very personal aesthetic that makes his work all more intuitive and easy to connect with.
From metalcore-inspired tracks like “Freeze The Frame” down to the progressive leanings of “Through The Lens,” and hints of hard rock and folk on “Clockwork Man,” there is room for different directions on every song, making the album diverse and spontaneous. “Chaotic Resonance” is currently available on streaming platforms:
- Spotify: https://open.spotify.com/intl-it/album/0lxUImC03TEjpFPcXvI9y8?si=K-nRpu0SQPCH3AZ-83j9VQ
- Amazon Music: https://amazon.it/music/player/albums/B0D3FKBNT5?marketplaceId=APJ6JRA9NG5V4&musicTerritory=IT&ref=dm_sh_eHSeVvzhdHA5weQkXkKRnX7rz
- Apple Music: https://music.apple.com/it/album/chaotic-resonance/1745001445
“When the Covid-19 pandemic hit the world, restrictions made it difficult, if not almost impossible, to continue performing live or even meet to create music. So, I decided to develop the 11 songs I had written with musicians from all over the globe,” Stefano said.
“I started from scratch, beginning with the band’s name: Bombyx Mori, which is nothing but the scientific name for the silkworm, chosen after discovering that these creatures have been exploited by humans for industrial purposes for so long that they no longer exist in nature and have even undergone profound changes in appearance and behaviour (now they are white instead of the “natural” dark brown, and they could not survive freely as they are too easily detectable by predators; furthermore, the larvae are no longer able to procure food for themselves and must therefore be artificially fed). It immediately seemed to me to be a fitting metaphor for the society and the world we live in.”
“Despite the obvious difficulties of a music production carried out solely via the web, the album Chaotic Resonance that resulted from this “global” collaboration turned out to be extremely unconventional and refreshing to listen to, ranging across different genres and managing to be as heterogeneous as the cultural, social, religious, and musical backgrounds of those involved:
- Drums => Italy
- Bass => Italy
- Guitars => India/Brazil/Argentina/Italy/Japan
- Synth/Keyboards/FX’s => Ukraine/India/Finland/Italy
- Brass (on “Leaves in the Wind”) => USA
- Theremin (on “Through the Lens”) => Italy
- Bagpipes/Celtic Flutes (on “Clockwork Man”) => Germany
- Harmonica (on “Liars”) => Australia
- Saxophone (on “The Promise”) => Nigeria
- Vocals => Netherlands/USA
- Mix/Master => Sri Lanka
The presence of musicians from all continents and the use of unconventional instruments in the metal scene led to the intertwining of rhythmic patterns derived from the most disparate musical genres, which, combined with modern sounds and socially-oriented lyrics, contributed to shaping the band’s trademark.”
Album Review
Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]
It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.
The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.
The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.
The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.
Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.
Album Review
Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.
The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.
“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.
It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.
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