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Bombyx Mori presents: “Chaotic Resonance”

Silk is often associated with smoothness and softness, but it is a material with many other qualities. It is incredibly strong and durable and has a rich history behind it. The manufacturing process is painstaking, involving domesticated silkworms humans have bred for so many generations that they no longer exist in the wild. 

With such a poetic shot at its name, Bombyx Mori (Which is also the scientific name of the silkworm) is a band that combines various challenging music styles with open-minded lyrics and a deeper focus on existential and social themes. The story behind this project is fascinating. Stefano, the musician at the helm of the band, had to stop playing with his bands due to the COVID-19 pandemic. Like many other musicians out there, he found himself stranded and unable to do what he loved. Still, he persevered and came up with some unique ideas despite these challenges.

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Cool concepts kept rolling, and he was able to come up with some bass patterns that eventually turned into full songs with the help of musicians from all over the world, who joined forces with him in order to bring these tracks to life. 

The decision to invite a diverse group of outside musicians had a significant impact on the project. Not only did it bring a broader range of musical backgrounds, but it also introduced fresh ideas and excitement. The open-ended approach to creativity resulted in songs that benefited greatly from the collaboration of musicians from different parts of the world. It shows Stefano‘s ability to continually explore new sounds, but at the same time, remaining rooted in a very personal aesthetic that makes his work all more intuitive and easy to connect with. 

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From metalcore-inspired tracks like “Freeze The Frame” down to the progressive leanings of “Through The Lens,” and hints of hard rock and folk on “Clockwork Man,” there is room for different directions on every song, making the album diverse and spontaneous. “Chaotic Resonance” is currently available on streaming platforms:

“When the Covid-19 pandemic hit the world, restrictions made it difficult, if not almost impossible, to continue performing live or even meet to create music. So, I decided to develop the 11 songs I had written with musicians from all over the globe,” Stefano said.

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“I started from scratch, beginning with the band’s name: Bombyx Mori, which is nothing but the scientific name for the silkworm, chosen after discovering that these creatures have been exploited by humans for industrial purposes for so long that they no longer exist in nature and have even undergone profound changes in appearance and behaviour (now they are white instead of the “natural” dark brown, and they could not survive freely as they are too easily detectable by predators; furthermore, the larvae are no longer able to procure food for themselves and must therefore be artificially fed). It immediately seemed to me to be a fitting metaphor for the society and the world we live in.”

“Despite the obvious difficulties of a music production carried out solely via the web, the album Chaotic Resonance that resulted from this “global” collaboration turned out to be extremely unconventional and refreshing to listen to, ranging across different genres and managing to be as heterogeneous as the cultural, social, religious, and musical backgrounds of those involved:

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  • Drums => Italy
  • Bass => Italy
  • Guitars => India/Brazil/Argentina/Italy/Japan
  • Synth/Keyboards/FX’s => Ukraine/India/Finland/Italy
  • Brass (on “Leaves in the Wind”) => USA
  • Theremin (on “Through the Lens”) => Italy
  • Bagpipes/Celtic Flutes (on “Clockwork Man”) => Germany
  • Harmonica (on “Liars”) => Australia
  • Saxophone (on “The Promise”) => Nigeria
  • Vocals => Netherlands/USA
  • Mix/Master => Sri Lanka

The presence of musicians from all continents and the use of unconventional instruments in the metal scene led to the intertwining of rhythmic patterns derived from the most disparate musical genres, which, combined with modern sounds and socially-oriented lyrics, contributed to shaping the band’s trademark.”

Artist Spotlight

“SIS (She’s Something)” evokes a sonic anthem of an unbreakable sisterly bond

KARMA

In “SIS (She’s Something),” the musical group KARMA unveils a heartfelt tribute to the women who are our lives’ silent backbones or fierce protectors. This Memphis-born trio expertly crafts a soundscape that intertwines the enchanting rhythms of hip-hop with the soulful melodies of R&B from the beginning. Each verse is laced with admiration and awe for the unseen heroes whose selfless contributions define the essence of sisterhood in all its diverse forms, encompassing mothers and friends to sisters and beyond.

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The synergy among the trio is evident, with each member adding their unique perspective to the composition, exemplifying the strength women embody daily. The lyrics evoke a sense of familiarity, honoring those who quietly overcome challenges and move mountains, providing unwavering stability and love without a second thought. “SIS (She’s Something)” transcends biological relationships, promoting inclusivity by acknowledging all individuals who identify with the term “Cis,” including transgender men. This dimension enriches the narrative, rendering an anthem for anyone who dedicates themselves to the nurturing role without asking for recognition.

The beauty of KARMA’s delivery lies in its authenticity. Listeners can discern the warmth of Memphis’ soul in every line, characterized by a gritty quality yet infused with the resilience and pride synonymous with hip-hop. As the chorus hits, audiences are likely engaged and feel a connection to a much bigger sisterhood. “SIS (She’s Something)” is a sonic reminder of the quiet power of unity and shared experiences. Its compelling energy commands attention and lingers in the consciousness long after the music fades.

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CLICK HERE TO STREAM KARMA’s SIS (She’s Something) on Spotify.
CONNECT WITH KARMA | Instagram | TikTok | Facebook |

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Artist Spotlight

Ashley Elle’s “One More Night” Sheds Light on the Pain of Letting Go

Ashley Elle

Pop singer-songwriter Ashley Elle delivers an achingly beautiful narrative on emotional entrapment in her latest single, “One More Night.” With her signature fusion of dreamy soundscapes and raw, vulnerable storytelling, Elle guides listeners through the bittersweet terrain of holding on to love that no longer serves you. The track is a poignant reflection on the internal battle between the heart’s desires and the mind’s logic, wrapped in a lush, ethereal, captivating, and haunting melody.

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Produced by Josh Lovell (known for his work with K. Flay and Benson Boone), the song opens with soft acoustic strumming, immediately immersing listeners into a sonic space filled with longing. Elle’s vocals, echoing with a delicate fragility, sweep over the instrumental, drawing you deeper into the emotional core of the track. Every line feels personal, as if Elle is narrating a chapter from her heartache, making it easy for anyone who’s ever clung to a fading love to relate.

Co-written with Hank Compton (GAYLE, K. Flay), the lyrics illuminate the universal struggle of navigating toxic relationships. “One More Night” confronts the painful reality that love, no matter how deep, doesn’t always equate to something healthy. Elle captures this raw truth gracefully, offering solace to those trapped in similar emotional cycles.

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With “One More Night,” Ashley Elle solidifies her place in the indie-pop scene as an artist who isn’t afraid to dig deep, giving listeners a song and a soundtrack for self-reflection and healing.

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