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Breonna Taylor Grand Jurors Say Police’s Actions Were “Criminal” & “Negligent”

It’s becoming pretty clear that we may never see justice for Breonna Taylor, no matter how loud our cries get.

The 26-year-old emergency medical technician, who had dreams of becoming a nurse, was killed in her apartment after police officers Brett Hankison, Jonathan Mattingly, and Myles Cosgrove barged in with a no-knock warrant. Breonna’s boyfriend, Kenneth Walker, says that the officers never identified themselves, so he and Breonna were unsure of who was at the door. After they barged in, Walker describes the sounds of gunfire as being in a “war zone”, saying that the shots didn’t stop ringing. 

Breonna Taylor lost her life that night. A grand jury was in charge of determining the fate of the officers charged, simply handing Hankison one count of wanton endangerment for firing a bullet through the wall of Breonna’s apartment.


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It has been revealed in recent weeks that, despite the public pushing for murder and manslaughter charges against the officers involved, that option was never presented to the grand jury, which goes against what Kentucky Attorney General Daniel Cameron previously said.

This morning, two of the grand jurors in the case sat down with Gayle King on CBS This Morning, and they were asked what they thought of the police’s behavior and actions on the night Breonna was killed.

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“Negligent,” said the first juror, whose identity was shielded. “They couldn’t even provide a risk assessment. It sounded like they hadn’t done one. Their organization leading up to this was lacking… that’s what I mean by they were negligent in the operation.”

The first juror explained that they were never given a chance to consider murder or manslaughter charges, and they were told that “there would be [no other charges] because the prosecutors didn’t feel they could make them stick”. 

Juror No. 2 claimed that the police’s actions that night were “criminal”. 

“They were criminal leading up to this in everything that they — the way they moved forward on it, including the warrant,” they said, claiming that their behavior was deceptive.

Rest in peace, Breonna Taylor.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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