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Cam Newton Reveals He Felt As Though NFL Left Him To Die

Cam Newton was shockingly released by the Carolina Panthers back in March, and at the time, Newton’s future in the NFL was extremely uncertain. Thankfully, he was able to find himself a brand new contract with the New England Patriots, who seem to be extremely happy to have him on board. Moving forward, he will look to be a longterm replacement for the legendary Tom Brady.

Recently, Newton took to Instagram where he did some venting after a workout. As he explains in the video below, he felt as though the NFL left him for dead and that many stopped believing in him. Now, however, he is more motivated than he ever has been before.

“You know what makes this sh*t different is they ain’t never seen this Cam,” Newton said. “They ain’t never seen him. You want to know how I know? Sh*t, I ain’t never seen him — the forgotten Cam. The sh*tted on Cam. The tired of being sick and tired Cam. I felt like I was just left to die. It’s over with for him. He ain’t the same player. […] [My son] Chosen say, ‘Daddy, daddy, daddy? We going to Charlotte?’ I say, ‘No, son, it’s over with. We got another place we going to. We’re going north.’”

With Newton’s new mentality in mind, we can’t wait for the season to start in September.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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