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Carolyn Hunter Finds Her Voice In Empowering New Album ‘Lovelight’

Lovelight is a brilliant synth pop masterpiece detailing Hunter’s most intimate reflections, desires, and longings. 

Indie Folk Pop singer songwriter Carolyn Hunter steps into the spotlight with a collection of 8 stunning tracks on her new album, Lovelight, out December 3rd, with a music video for “Felt Like Love” on December 6th. In addition to this exciting release, Hunter is proud to have contributed background vocals on The Lumineers’ new holiday single, “This Is Life (Merry Christmas),” out now. Lovelight is a moment for the artist in which she fully embraces her self-identity. At its core, this poetic pop celebration explores themes of desire and longing, as well as the evolving sexuality and energy that accompanies finding your voice. For Hunter, these songs reflect a time in which she sought out an identity void of codependency, and rooted in empowerment and exploration. Lovelight is a glimpse into the most intimate corners of Hunter’s world; the songwriter’s ethereal vocals, story-driven lyricism, and fearless vulnerability yield a final product characteristic of Maggie Rogers, HAIM or Taylor Swift’s Folklore.

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The dreamy record features 8 tracks, each painted with colorful melodies and vibrant, kaleidoscopic production. “Felt Like Love” blossoms from simple, warm keys into an anthemic chorus driven by a gritty bass-line, and embellished with spritely synths. “Don’t Let Me Down Easy” immediately catches listeners attention with a beautifully textured, percussive production. Hunter rips the bandage off on this epic heartbreak anthem as she confronts the transition out of the shadows head on. “Giving Myself To You” is a sultry statement against codependence accented with a charismatic bitterness and caressed with angelic background vocals. Hunter achieves the perfect amount of sparkle on this somber track, and peels her vibrant synth-pop back to a deeper level; she captures the full scope of emotions inherent to moving on from one era to the next. The smooth, steady groove on “Come Down” is driven by airy synths, hypnotic percussion, and is steeped in passion and melancholy. Overall, the tracks on this album come together in an impressive showcase at the epitome of dream-pop.

Hunter dedicated the last three and a half years to perfecting the tracks on Lovelight. She worked regularly on this project with producer and collaborator Julian Peterson out of Wolf Den Studios in Longmont, Colorado. Peterson is a mastermind of songwriting and musical craftsmanship, as well as a wizard on guitar. He is a deep listener that worked flawlessly with Hunter to help her find a new authentic way of singing. In early 2018, the two began workshopping songs she had written. He would take the song on his guitar, shape shift structure, chords, and rhythm until they found the heart of each song. The two honed in on their favorite projects to create the final tracklist; this album is a true collaborative effort, the culmination of the best of their work together. Fans can stream Lovelight on all major streaming platforms on December 3rd, and watch the music video for “Felt Like Love” on December 6th.

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More about Carolyn Hunter:

Carolyn has shared stages around the world with the likes of Lang Lang, Karla Bonoff, The Lil Smokies, The Good Lovelies, and many more. After graduating from UCLA’s School of Theater Film and Televisions, Carolyn taught herself guitar and began to pursue life as a folk singer.

On a small surf island in the southeast, Carolyn founded folk-rock band “The Fam Band,” known for their Joni Mitchell-meets-Allman Brothers grooves. After moving back West to Colorado, she co-founded indie-folk band ‘The Heartstring Hunters’ —known for its crowd pleasing three part harmonies and female review  — and was nominated by Denver Westword for “Best Folk Band.”

Finding solace in Colorado, Carolyn joined the Daniel Rodriguez Band (Elephant Revival) as a vocalist in year, performing across the country, over public radio, and on his latest record “Sojourn of a Burning Sun.” In the Front Range and beyond, Carolyn is often sought after as a collaborator, known for her fairy-like melodies, Joni Mitchell subtleties, and Tracy Chapman-esque tones.

Artist Spotlight

Plain Mister Smith unveils a journey of sound, spirit, and reflection with new release “Dream to Be Free”

Plain Mister Smith

Plain Mister Smith’s new single sounds more like a portal than a regular song. “Dream to Be Free” is a powerful meditation that came from a life-changing trip to Kyoto during Diamonji, the festival where huge bonfires are lit on hillsides to guide spirits home. Smith’s work is inspired by this deeply meaningful moment and is full of self-reflection, awe, and emotional release.

Plain Mister Smith is a well-known figure in the Canadian indie music scene. He has worked on projects like Moev and Cinderpop and is now a cellist with the Vancouver Philharmonic Orchestra. This adds a lot of musical depth to his solo work. His unique mix of indie pop, baroque folk, and subtle textures comes out with ease and style. The result is a piece that has both fragility and vastness, is rooted in tradition, and easily slips into ethereal soundscapes.

“Dream to Be Free” features a variety of instruments and subtle melodic shifts that make it shine. It makes you want to stop and take in its thoughtful mood. The track gives the impression of movement, as if it is following you and guiding you through self-reflection, memory, and small changes. Every passage seems carefully placed, but it flows naturally, letting the emotion grow and echo.

The single goes beyond mere inspiration, it captures a universal desire for freedom, clarity, and renewal. It talks about the deep moment when we reflect on what it means to let go. In “Dream to Be Free,” Plain Mister Smith reminds us that the first step toward freedom often begins with calmness and careful listening.

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Artist Spotlight

Morpheus von Dobenhausen and Buddy Joe claim their space breaking the mold on latest release “I Have To Do It My Way”

Morpheus von Dobenhausen

Morpheus von Dobenhausen’s latest single, “I Have To Do It My Way,” is both personal and purposeful. It is a strong statement of independence and artistic identity, grounded in conviction rather than in giving in. The track is a good example of staying true to your creative vision. It embodies the essence of following your own path, celebrating your uniqueness, and trusting your instincts to help you grow as an artist. Morpheus von Dobenhausen and Buddy Joe, an artist based in the UK, are working together on the project. This gives it a sense of authenticity and dedication. Their work together results in a product that is focused, certain, and truly refreshing.

The song was made by people from different countries working together online with Logic Pro 12 and structured data exchange. This shows that distance doesn’t stop people from being creative together. This modern approach to making music allows the composition to have universal energy while still maintaining a personal touch. The process shows the main idea of the song: to work alone while remaining open to important collaboration.

“I Have to Do It My Way” is a statement for people who value being true to themselves over what society expects of them. It speaks to people who value artistic freedom and self-confidence, and it serves as a powerful reminder that being original often comes from having the courage to trust yourself.

This track from Morpheus von Dobenhausen and Buddy Joe shows how much they care about creative freedom. It’s both uplifting and very relatable. It is a major step forward that has a lasting effect long after the last note fades away.

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