Music
Chance The Rapper Brushes Off Fans’ Lukewarm Reception Of ‘The Big Day’
Chance shuts down haters by reminding them that he’s ‘really really good at rapping.’ …
It’s no secret that Chance The Rapper’s debut album The Big Day landed with more of a thud than a bang, despite actually being pretty good (I will die on this hill). Fans expecting the looser, more straightforward feel of projects like 10 Day, Acid Rap, and Coloring Book were disappointed by the seemingly jumbled collection of music on the album, with their glossy production and lofty ambitions (I will allow that it was too long and could have been sequenced better). It’s led to more overt criticism of his recent output, prompting him to complain that it felt like fans wanted him to be miserable due to their jokes about him getting back on drugs.
However, he also has a truly compelling argument to those fans, which he shared during an interview with Ebro In The Morning to talk about his recently reissued Christmas album. When the host asked him about all the hate — “throwing rocks at the throne,” as he put it — Chance explained that he has a different metric for success. “I’m just really, really good at rapping,” he declared. “So, regardless of what happens, I’ma always have that to fall back on — and if that doesn’t work, I can perform my old raps. If that don’t work, I can direct someone else’s raps. There’s nobody that can rap like me. That’s a cool thing to have.”
"I'm just really really good at rapping…" @chancetherapper addresses the haters & doubters after the release of #TheBigDay
Watch the full conversation w/ @EbrointheAM: https://t.co/nN7s1w6pJy pic.twitter.com/tZGBrffHrS
— HOT 97 (@HOT97) December 15, 2020
That’s actually a pretty smart way to look at things — at the very least, it keeps him from overly focusing on fans’ jokes about his content. Even if he raps about being a family man, which is probably something many of his young fans can’t relate to, he does so really well, so as long as he is meeting his own standards, he technically can’t fail in the opinion of the only person whose opinion matters — his own.
However, the fallout from The Big Day has affected him in other ways. His former manager Pat Corcoran recently filed a lawsuit for $3 million in back pay, citing breach of contract and claiming that Chance let his family talk him into making bad business moves that exacerbated the negative feedback from the album. Chance’s lawyers shot down the accusation, but without Pat The Manager’s help, he may find it’s harder to repeat his prior successes. Maybe collaborating with Dionne Warwick will give him some insight to extending his longevity.
Watch Chance’s full interview with Ebro above.
Artist Spotlight
GO$$A unveils a dream-like escape, and captures late night emotion with “Ready to Go”
With “Ready to Go (prod. skank mane),” GO$$A plunges headfirst into romance, memories, and shimmering modern textures, a release that feels tailor-made for late-night drives and reflective city moments. Skankmane produced the track, mixing dreamy pop with alternative sounds to create an intimate yet cinematic mood.
The song has a floating quality that immediately stands out. From its production to its emotional tone, “Ready to Go” captures the feeling of being caught between memory and possibility. The track has a modern pop base that makes it accessible, while the alternative textures add depth and personality. All those elements combine to create a soundscape that feels immersive without being too much.
This song has a subtle yet strong romantic energy. GO$$A doesn’t dramatize the story; it allows the mood and feeling to take over. That choice is perfect, especially given the song’s nostalgic undertones. It feels like music for when the world slows down, when the sun glows through the car windows, when the city lights blur in the distance, when thoughts are quiet in the middle of the night.
Connect with GO$$A on Soundcloud || Instagram
Artist Spotlight
NinoGwuap sparks buzz and confident pulse with new release “Alphabet Pusher (ABP)”
NinoGwuap steps forward with undeniable confidence with “Alphabet Pusher (ABP),” a hip-hop release built to spark conversation, energy, and awareness. It’s got a presence that makes you sit up and take notice, and a sharp, focused vibe, driven by ambition and self-belief.
“Alphabet Pusher (ABP)” sets itself up from the outset as a record with purpose. The performance has a natural hunger that keeps the momentum going through the song. NinoGwuap has a direct, potent approach, avoiding overcomplication that could detract from the listener’s experience, letting the energy and message speak for themselves.
There’s an impression that every second is designed to hold the audience’s attention, whether it’s through the beat, the way it’s sung, or the general feeling of the album. It’s got that kind of infectious energy that feels so natural to modern hip-hop, and still authentic to the artist’s voice.
Connect with NinoGwuap on Spotify || Instagram || Facebook || Youtube
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