Music
Chance The Rapper Brushes Off Fans’ Lukewarm Reception Of ‘The Big Day’
Chance shuts down haters by reminding them that he’s ‘really really good at rapping.’ …
It’s no secret that Chance The Rapper’s debut album The Big Day landed with more of a thud than a bang, despite actually being pretty good (I will die on this hill). Fans expecting the looser, more straightforward feel of projects like 10 Day, Acid Rap, and Coloring Book were disappointed by the seemingly jumbled collection of music on the album, with their glossy production and lofty ambitions (I will allow that it was too long and could have been sequenced better). It’s led to more overt criticism of his recent output, prompting him to complain that it felt like fans wanted him to be miserable due to their jokes about him getting back on drugs.
However, he also has a truly compelling argument to those fans, which he shared during an interview with Ebro In The Morning to talk about his recently reissued Christmas album. When the host asked him about all the hate — “throwing rocks at the throne,” as he put it — Chance explained that he has a different metric for success. “I’m just really, really good at rapping,” he declared. “So, regardless of what happens, I’ma always have that to fall back on — and if that doesn’t work, I can perform my old raps. If that don’t work, I can direct someone else’s raps. There’s nobody that can rap like me. That’s a cool thing to have.”
"I'm just really really good at rapping…" @chancetherapper addresses the haters & doubters after the release of #TheBigDay
Watch the full conversation w/ @EbrointheAM: https://t.co/nN7s1w6pJy pic.twitter.com/tZGBrffHrS
— HOT 97 (@HOT97) December 15, 2020
That’s actually a pretty smart way to look at things — at the very least, it keeps him from overly focusing on fans’ jokes about his content. Even if he raps about being a family man, which is probably something many of his young fans can’t relate to, he does so really well, so as long as he is meeting his own standards, he technically can’t fail in the opinion of the only person whose opinion matters — his own.
However, the fallout from The Big Day has affected him in other ways. His former manager Pat Corcoran recently filed a lawsuit for $3 million in back pay, citing breach of contract and claiming that Chance let his family talk him into making bad business moves that exacerbated the negative feedback from the album. Chance’s lawyers shot down the accusation, but without Pat The Manager’s help, he may find it’s harder to repeat his prior successes. Maybe collaborating with Dionne Warwick will give him some insight to extending his longevity.
Watch Chance’s full interview with Ebro above.
Artist Spotlight
Dominique Xishak questions the search for love and money on latest release “Delusional”
Dominique Xishak takes a confrontational approach to modern relationship expectations with “Delusional”, a rap track that questions what some people demand from a partner and what they bring to a relationship themselves. The song focuses on the perceived gap between wanting an ideal man and being willing to offer the same level of commitment, honesty, and personal responsibility. Rather than approaching romance with a soft touch, Xishak uses a direct lyrical perspective to challenge these expectations.
The track raises questions about appearances, personal choices, and the motivations behind seeking a partner. Its subject matter includes cosmetic surgery, the pressure to meet certain physical ideals, and the possibility that financial status can become more important than genuine connection. Xishak also addresses the tension between demanding a good partner and overlooking the qualities that make a healthy relationship possible. These themes give the song a provocative edge and invite listeners to consider the standards they set for themselves and others.
“Delusional“ positions Dominique Xishak as a voice willing to tackle uncomfortable conversations about dating, attraction, and relationship priorities. The message is deliberately challenging, encouraging debate about whether people are truly searching for meaningful partnerships or pursuing an ideal shaped by appearances and money. It is a track designed to provoke reactions and get listeners talking.
Connect with Dominique Xishak on Spotify
Artist Spotlight
Shadowspell invites listeners into a world of fear and defiance on latest release “CYANIDE”
Shadowspell’s latest hard-hitting single, “CYANIDE,” explores disturbing thoughts, fear, and the struggle with sanity, pulling listeners into a disquieting world of inner darkness. Big drums and guitars drive the song, creating a powerful atmosphere for its troubled emotional landscape. Its central thesis is chillingly provocative, darkness is no longer in the past, but has settled in.
The song’s lyrics drop the listener into a mind where scary voices are a strange kind of survival, and nowhere else seems safe. Shadowspell doesn’t push fear away; it brings it to the front and center, inviting listeners to face the unsettling thoughts and feelings at the song’s heart. The lush instrumentation gives this tension a gritty edge that suits the song’s defiant spirit.
If you enjoy exploring darker musical territories, CYANIDE delivers a heavy, intense listening experience that blends heavy drums, powerful guitars, and psychologically charged themes. Shadowspell embraces awkwardness, not smoothing it over, and makes a track that sounds raw, confrontational, and unashamedly uncomfortable. The result is a record that exposes inner turmoil and demands that the listener confront the shadows instead of simply turning away.
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