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Chromic Duo and NY Philharmonic’s Team Up For Augmented Reality Concert Experience in NYC

Chromic Duo Lucy Yao and Dorothy Chan – are teaming up with the New York Philharmonic Very Young Composers Program for a project entitled “Emerald Futures” where they will combine the performance of the original compositions from the young composers (ages 12-16) with an augmented reality sound walk through New York City. The augmented reality experience will be available to anyone who would like to participate via the app Gesso (available on iOS and Android) starting on July 2nd.

An innovative way to experience music and storytelling, the walk will give listeners a multi-sensory experience as they experience the freedom of exploring the city while immersed in the sounds of original compositions. The scripted audio sound walk will lead listeners on a path through the city from New York’s Central Park to the Lincoln Center using a GPS trigger to create site-specific concert experiences, accessible to the participant at any time.

The experience culminates with Amanda Phingbodhipakkiya’s “We Belong Here” mural as a moment of reflection and response to ending AAPI hate. Phingbodhipakkiya created the “We Belong Here” campaign to confront the surge in bias and xenophobia against Asian Americans and Pacific Islanders – a cause that Yao and Chan are also supporting in their forthcoming work with Mott Street Girls to support local Chinatown businesses that have been impacted by the rise of AAPI crime. “In the wake of exclusion, noticing how much oppression there is in our world right now, we want to create a hybrid experience to experience concerts in public spaces that is the epitome of accessibility and inclusion,” says the duo. “We are motivated to create spaces where stories can be told to foster a deeper understanding of humanizing perspectives.” Through their own self-discovery as first and second-generation Asian Americans, Chromic Duo understands how expansive the diaspora is and how it fails to describe who they truly are. “By having so much that is undefined, part of the beauty behind this project is to create moments where there is a grey area- where sound is met with a strike of lightning in color, where the history of NYC is reflected on through a contemporary narrative of music by the next generation of young composers and thinkers,” says Yao.

Overall, Chromic Duo hopes that this reflective music and narration will allow participants to immerse themselves in an experience that brings to light the stories and perspectives of people and communities around them so that they can be inspired to respond based on empathy instead of biased judgment. “We also hope to inspire the young composers of this program to lean into their curiosities, and always be questioning and challenging the norms of how things came to be,” says Lucy Yao. “We often ask ourselves, ‘how can we use music as a positive force and tool to bring people together?’ Music has the power to take your perceived biases and understanding of the world and challenge them.” By bringing a new perspective on how participants perceive their environment and connect themselves within their communities, they are excited to see how it can interact with music to create innovative ways of “going through the motions” in an amplified manner that allows for new connections to happen.

About New York Philharmonic Very Young Composers Program:

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An afterschool program through the School Partnership Program for grades 7-10, the Very Young Composer’s Program exposes students to the instruments of the orchestra, nurtures their inherent creativity, and culminates with original works performed by members of the Philharmonic. Students with or without musical backgrounds create, notate, and hear their very own music performed by Philharmonic musicians — often the full Orchestra — with the help of Philharmonic Teaching Artists serving as mentors. The VYC idea is rapidly catching on as it has reached children on four continents in countries including Korea, China, Japan, Venezuela, Spain, and Finland. VYC students in various American cities are exchanging “musical postcards” with these children around the world.

About Chromic Duo: Chromic Duo is an award-winning electronic toy piano duo that brings new audiences together by creating new connections between classical music, electronics, and multimedia. “Tackling large issues with toy pianos” – Chromic pushes the possibilities of genres and performance by recontextualizing classical music in multimedia work inspired by the multitudes as third-culture-kids discovering their voice within the vast Asian American diaspora. The duo composes and reorchestrates indie, classical, ambient, and electronica into arrangements that use any combination of keyboard instruments – ranging from the toy piano to melodica, toy horn, audio-reactive installations, and instruments that link sound to color and movement. Widely known as creatives in other aspects as well, Chromic Duo has projects ranging from collaborations with the New York Philharmonic Young Composers Program, the Kalamazoo Institute of Arts Educational Initiative, working in collaboration with the Design Museum of Chicago for two world premiere pieces during the pandemic, and other virtual experience collaborations that bring light to Asian-American identities and racial power structures. They were recently announced as the winners of Concert Artist Guild and Young Concert Artists Trust – opening doors for prestigious debuts at famous international venues like Carnegie and Wigmore.

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Connect with Chromic Duo:

Website | Instagram | Spotify

More information on the New York Philharmonic Very Young Composer’s Program: 

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

CircleKSK ignites an anime-metal collision on “UnBreakable Turn” ft. Anya J

UnBreakable Turn

On their exhilarating high-octane track “UnBreakable Turn,” CircleKSK and guest vocalist Anya J aim to combine the technical prowess of Nordic metal with the urgent melodies and dramatic flair of an anime opening sequence. Creating a cinematic and adrenaline-fueled tune with a melodic edge, CircleKSK has risen to prominence as an innovative act.

The deliberate fusion contributes to the single’s captivating nature. J-Pop and anime-song sensibilities contribute emotional hooks and sweeping, catchy lines; precision, dense riffs, and a sense of weight are brought by Nordic metal. Echoing the song’s vivid melodic contours, Anya J’s heroic and personal vocals and demeanor heighten the dramatic impact of the performance. The structure is based on the standard narrative progression: lively, evocative parts leading the way to more somber ones that ground the emotion.

The production relies on contrast so that lighter parts sparkle and heavier parts thud with satisfying force. As if CircleKSK were creating music for the eyes as well as the ears, this piece could serve as the score for a dramatic scene or the music for a violent montage. Not everything is surface-level, though; the emotional core remains. Anthemic and deeply personal, “UnBreakable Turn” combines the vigor of youth with the gravity of experience.

An assuredly inventive single that fearlessly asserts new territory, “UnBreakable Turn” by CircleKSK is sure to please fans of big, dramatic music that isn’t hesitant to mix sweetness and steel, as well as those who enjoy cross-cultural mashups. The single, which has been lauded by curators and tastemakers worldwide, is a strong statement about artists who fearlessly combine cultural genres, showing that passionate J-Pop melodies and intense Scandinavian metal can coexist in one unforgettable track.

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Artist Spotlight

Garth Adam keeps the flame of Journeysong burning with the new single “Three Fires”

Garth Adam

Garth Adam‘s latest single, “Three Fires,” evokes a warm dialogue in a subdued studio that is intimate, contemplative, and subtly victorious. Adam candidly discusses the exhilaration of uncovering self-assurance in both himself and his songwriting, and this revelation serves as the driving force of the track. At its essence, “Three Fires” is a straightforward commemoration: the delight in transforming a modest idea into something extraordinary through patience.

Adam’s vocal style resides comfortably within a folk-influenced pop genre, which he characterizes as a blend of Neil Finn and The Lumineers, interspersed with elements reminiscent of Coldplay and James Blunt. The reference point is beneficial yet not confining; “Three Fires” represents Adam’s unique creation, an accessible, melodic composition that prioritizes artistry over novelty. The single, recorded in joyful sessions in Perth with long-time collaborator and producer Melvin Tree, exudes the warmth of musicians collaborating in a circle, with the vintage Studer analog desk imparting an analog glow to the final recording. Melvin, Dave Kelly, and a select group of skilled music students contribute backing vocals that enhance the track with harmony and impart a subtly communal, authentic quality.

The lyrics of the song emphasize Adam’s preferred motifs: travel, journeys, and the subtle transformations that occur during the voyage. However, it is not overly forceful; the songwriting is elegant, transitioning from observation to insight with effortless fluidity. Adam’s delivery conveys satisfaction; he is a songwriter who has witnessed minor concepts evolve into completed songs and has learned to trust that process.

“Three Fires” serves as a testament to the notion that skill and perseverance can transform a mere spark into something luminous. For aficionados of melodic songwriting with an analog essence, Garth Adam’s latest work is a comforting, exquisitely crafted ember to accompany one on their journey. It is a song that encourages repeated, soothing auditory experiences.

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