Artist Spotlight
Chromic Duo and NY Philharmonic’s Team Up For Augmented Reality Concert Experience in NYC

Chromic Duo – Lucy Yao and Dorothy Chan – are teaming up with the New York Philharmonic Very Young Composers Program for a project entitled “Emerald Futures” where they will combine the performance of the original compositions from the young composers (ages 12-16) with an augmented reality sound walk through New York City. The augmented reality experience will be available to anyone who would like to participate via the app Gesso (available on iOS and Android) starting on July 2nd.
An innovative way to experience music and storytelling, the walk will give listeners a multi-sensory experience as they experience the freedom of exploring the city while immersed in the sounds of original compositions. The scripted audio sound walk will lead listeners on a path through the city from New York’s Central Park to the Lincoln Center using a GPS trigger to create site-specific concert experiences, accessible to the participant at any time.
The experience culminates with Amanda Phingbodhipakkiya’s “We Belong Here” mural as a moment of reflection and response to ending AAPI hate. Phingbodhipakkiya created the “We Belong Here” campaign to confront the surge in bias and xenophobia against Asian Americans and Pacific Islanders – a cause that Yao and Chan are also supporting in their forthcoming work with Mott Street Girls to support local Chinatown businesses that have been impacted by the rise of AAPI crime. “In the wake of exclusion, noticing how much oppression there is in our world right now, we want to create a hybrid experience to experience concerts in public spaces that is the epitome of accessibility and inclusion,” says the duo. “We are motivated to create spaces where stories can be told to foster a deeper understanding of humanizing perspectives.” Through their own self-discovery as first and second-generation Asian Americans, Chromic Duo understands how expansive the diaspora is and how it fails to describe who they truly are. “By having so much that is undefined, part of the beauty behind this project is to create moments where there is a grey area- where sound is met with a strike of lightning in color, where the history of NYC is reflected on through a contemporary narrative of music by the next generation of young composers and thinkers,” says Yao.
Overall, Chromic Duo hopes that this reflective music and narration will allow participants to immerse themselves in an experience that brings to light the stories and perspectives of people and communities around them so that they can be inspired to respond based on empathy instead of biased judgment. “We also hope to inspire the young composers of this program to lean into their curiosities, and always be questioning and challenging the norms of how things came to be,” says Lucy Yao. “We often ask ourselves, ‘how can we use music as a positive force and tool to bring people together?’ Music has the power to take your perceived biases and understanding of the world and challenge them.” By bringing a new perspective on how participants perceive their environment and connect themselves within their communities, they are excited to see how it can interact with music to create innovative ways of “going through the motions” in an amplified manner that allows for new connections to happen.
About New York Philharmonic Very Young Composers Program:
An afterschool program through the School Partnership Program for grades 7-10, the Very Young Composer’s Program exposes students to the instruments of the orchestra, nurtures their inherent creativity, and culminates with original works performed by members of the Philharmonic. Students with or without musical backgrounds create, notate, and hear their very own music performed by Philharmonic musicians — often the full Orchestra — with the help of Philharmonic Teaching Artists serving as mentors. The VYC idea is rapidly catching on as it has reached children on four continents in countries including Korea, China, Japan, Venezuela, Spain, and Finland. VYC students in various American cities are exchanging “musical postcards” with these children around the world.
About Chromic Duo: Chromic Duo is an award-winning electronic toy piano duo that brings new audiences together by creating new connections between classical music, electronics, and multimedia. “Tackling large issues with toy pianos” – Chromic pushes the possibilities of genres and performance by recontextualizing classical music in multimedia work inspired by the multitudes as third-culture-kids discovering their voice within the vast Asian American diaspora. The duo composes and reorchestrates indie, classical, ambient, and electronica into arrangements that use any combination of keyboard instruments – ranging from the toy piano to melodica, toy horn, audio-reactive installations, and instruments that link sound to color and movement. Widely known as creatives in other aspects as well, Chromic Duo has projects ranging from collaborations with the New York Philharmonic Young Composers Program, the Kalamazoo Institute of Arts Educational Initiative, working in collaboration with the Design Museum of Chicago for two world premiere pieces during the pandemic, and other virtual experience collaborations that bring light to Asian-American identities and racial power structures. They were recently announced as the winners of Concert Artist Guild and Young Concert Artists Trust – opening doors for prestigious debuts at famous international venues like Carnegie and Wigmore.
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Connect with Chromic Duo:
More information on the New York Philharmonic Very Young Composer’s Program:
Artist Spotlight
Who’s Making the Most Money on Spotify in 2025?

In 2025, Spotify conquers the music streaming world, with 500+ million monthly paying subscribers globally. Considering the platform paid out $10 billion in royalties, a record high, during 2024, it’s evident that streaming is now a revenue stream for artists. Yet only a few musicians are making good money from it.
At the top of the list is Drake, whose 21.5 billion streams yield around $52.5 million. Next up is J Balvin, with $37.9 million this year, a clean-up job from his massive streaming numbers. Other artists who earned significant amounts included Post Malone, Ariana Grande, and Bad Bunny, each featured among the platform’s top earners.
In electronic music, the Chainsmokers had 7.2 billion streams and made $17.7 million, and Calvin Harris made $14 million. The first-place finisher among the grossers is Ed Sheeran’s “Shape of You,” which earned $6.6 million from 2.7 billion streams.
Although these numbers are impressive, most artists on Spotify receive a much lower payday. In its 2024 Loud & Clear report, Spotify found that only 4.4% of artists make at least $131,000 annually. On average, an artist in the bottom 98.6% of earners makes just $12 monthly. This difference underscores the difficulties many musicians face in the streaming age.
Dead artists are still having a real impact on Spotify. Pop Smoke, Shoot for the Stars, and Aim for the Moon have 8.51 billion streams, £29.29m, 6.79 billion streams, and £23.37 million in earnings with Juice WRLD’s “Legends Never Die.” Lil Peep and The Notorious B.I.G. are also proving influential, with their music still raking in significant amounts of money.
Spotify’s global platform has allowed artists to perform in front of audiences beyond their home countries. In 2024, most artists who earned at least $1,000 in royalties made most of their revenue through international listeners, at over 50%. Since 2017, the number of female artists grossing over $1 million per year has quadrupled, signaling greater diversity and representation in the music industry.
The few artists who do make millions from Spotify streams get 1 %, while the 1% of artists get funds. Only a handful of artists are financially rewarded through it, even as the platform’s continued global reach and growing diversity create opportunities for emergent practitioners.
Let me know what you thought of this post in the comments if you found this article interesting!
Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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