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Chromic Duo and NY Philharmonic’s Team Up For Augmented Reality Concert Experience in NYC

Chromic Duo Lucy Yao and Dorothy Chan – are teaming up with the New York Philharmonic Very Young Composers Program for a project entitled “Emerald Futures” where they will combine the performance of the original compositions from the young composers (ages 12-16) with an augmented reality sound walk through New York City. The augmented reality experience will be available to anyone who would like to participate via the app Gesso (available on iOS and Android) starting on July 2nd.

An innovative way to experience music and storytelling, the walk will give listeners a multi-sensory experience as they experience the freedom of exploring the city while immersed in the sounds of original compositions. The scripted audio sound walk will lead listeners on a path through the city from New York’s Central Park to the Lincoln Center using a GPS trigger to create site-specific concert experiences, accessible to the participant at any time.

The experience culminates with Amanda Phingbodhipakkiya’s “We Belong Here” mural as a moment of reflection and response to ending AAPI hate. Phingbodhipakkiya created the “We Belong Here” campaign to confront the surge in bias and xenophobia against Asian Americans and Pacific Islanders – a cause that Yao and Chan are also supporting in their forthcoming work with Mott Street Girls to support local Chinatown businesses that have been impacted by the rise of AAPI crime. “In the wake of exclusion, noticing how much oppression there is in our world right now, we want to create a hybrid experience to experience concerts in public spaces that is the epitome of accessibility and inclusion,” says the duo. “We are motivated to create spaces where stories can be told to foster a deeper understanding of humanizing perspectives.” Through their own self-discovery as first and second-generation Asian Americans, Chromic Duo understands how expansive the diaspora is and how it fails to describe who they truly are. “By having so much that is undefined, part of the beauty behind this project is to create moments where there is a grey area- where sound is met with a strike of lightning in color, where the history of NYC is reflected on through a contemporary narrative of music by the next generation of young composers and thinkers,” says Yao.

Overall, Chromic Duo hopes that this reflective music and narration will allow participants to immerse themselves in an experience that brings to light the stories and perspectives of people and communities around them so that they can be inspired to respond based on empathy instead of biased judgment. “We also hope to inspire the young composers of this program to lean into their curiosities, and always be questioning and challenging the norms of how things came to be,” says Lucy Yao. “We often ask ourselves, ‘how can we use music as a positive force and tool to bring people together?’ Music has the power to take your perceived biases and understanding of the world and challenge them.” By bringing a new perspective on how participants perceive their environment and connect themselves within their communities, they are excited to see how it can interact with music to create innovative ways of “going through the motions” in an amplified manner that allows for new connections to happen.

About New York Philharmonic Very Young Composers Program:

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An afterschool program through the School Partnership Program for grades 7-10, the Very Young Composer’s Program exposes students to the instruments of the orchestra, nurtures their inherent creativity, and culminates with original works performed by members of the Philharmonic. Students with or without musical backgrounds create, notate, and hear their very own music performed by Philharmonic musicians — often the full Orchestra — with the help of Philharmonic Teaching Artists serving as mentors. The VYC idea is rapidly catching on as it has reached children on four continents in countries including Korea, China, Japan, Venezuela, Spain, and Finland. VYC students in various American cities are exchanging “musical postcards” with these children around the world.

About Chromic Duo: Chromic Duo is an award-winning electronic toy piano duo that brings new audiences together by creating new connections between classical music, electronics, and multimedia. “Tackling large issues with toy pianos” – Chromic pushes the possibilities of genres and performance by recontextualizing classical music in multimedia work inspired by the multitudes as third-culture-kids discovering their voice within the vast Asian American diaspora. The duo composes and reorchestrates indie, classical, ambient, and electronica into arrangements that use any combination of keyboard instruments – ranging from the toy piano to melodica, toy horn, audio-reactive installations, and instruments that link sound to color and movement. Widely known as creatives in other aspects as well, Chromic Duo has projects ranging from collaborations with the New York Philharmonic Young Composers Program, the Kalamazoo Institute of Arts Educational Initiative, working in collaboration with the Design Museum of Chicago for two world premiere pieces during the pandemic, and other virtual experience collaborations that bring light to Asian-American identities and racial power structures. They were recently announced as the winners of Concert Artist Guild and Young Concert Artists Trust – opening doors for prestigious debuts at famous international venues like Carnegie and Wigmore.

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Connect with Chromic Duo:

Website | Instagram | Spotify

More information on the New York Philharmonic Very Young Composer’s Program: 

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

BluntBrad Jr. finds calm ambition in the laid-back shine of “It’s All Good”

BluntBrad Jr.

BluntBrad Jr.’s new single, “It’s All Good,” sounds like a steady handshake and a deep breath. It’s warm, honest, and not trying to be cool. There isn’t any fancy production hiding behind layers of polish here. Instead, the song is all about being honest. The song is laid-back and offers up the shine of a studio recording for the feeling of a candid introduction, a musical “hello” from someone who wants to be heard for who they are.

“It’s All Good” is a very human way to be hopeful at its core. The feeling is simple and real, like someone who won’t let little things stand in the way of their goals. The words to the song sound like friends talking to each other. They discuss their goals, their drive, and their need for attention in a way that is honest and not needy.

The production backs this up by making sure that everything is open and airy. The instruments are simple and easy to understand, so BluntBrad Jr.’s voice and message come through clearly. The song feels real because it doesn’t have a lot of extra stuff in it. You’re not hearing a heavily constructed persona; you’re hearing someone at the start of a journey, eager to make their mark.

The song’s rough edges make it captivating, which is better than polish, which would have smoothed it out. This way of thinking fits with the theme: hope isn’t naive here; it’s realistic and steady. It speaks to people who like simple songs and value honesty over artifice.

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“It’s All Good” is an engaging and approachable phrase that offers context for an artist who is confident and clear about their artistic vision. This is the kind of song you listen to when you need some honest encouragement to remember that just being human can help you move forward. This is only the first chapter of something serious, so expect more from him.

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SweetCandy! declares self-love and defiance on “UGLY”

SweetCandy!

SweetCandy!’s single “UGLY” is a candid and succinct revolution: concise, straightforward, and subtly transformative in its acceptance. The song conveys a fundamental truth: the acceptance of all aspects of oneself, including those previously deemed shameful, and asserts this claim with confidence. For an independent artist subjected to considerable criticism, the track functions as both a resolute retort and a comforting embrace of self-affirmation.

There exists a unique bravery in composing a song that explicitly declares, “This is me,” and SweetCandy! achieves this effectively. “UGLY” constitutes neither an apology nor a request; it is a declaration. The lyrics and performance express a sense of familiarity, illustrating the perspective of an individual who has transcended the necessity for external validation and now experiences liberation in authenticity. This emotional clarity endows the song with its potency: the relief in the delivery is palpable, a steadiness more compelling than any intricate production could attain.

The track musically reinforces this message with an aesthetic that is congruent: arrangements that do not eclipse the sentiment, production that appears authentic rather than superficial, and phrasing that enables the chorus to resonate as a personal vow. The song’s timeless perspective is noteworthy: it implies that autonomy in later life can be accompanied by acute awareness and gentle acceptance.

“UGLY” is successful due to its refusal to sanitize experience. It recognizes judgment, the pain of criticism, and the arduous path to self-acceptance, ultimately arriving at a state of tranquility. For listeners burdened by expectations or fatigued from performance, SweetCandy!’s single provides a straightforward, poignant remedy: embracing one’s true self is frequently the most courageous and exquisite decision. Embrace it, join in the singing, and allow the term “ugly” to evolve into a symbol of resilience and elegance today.

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