Music
Classic: Big Next Rated Hip Hop Artist From Muskegon MI

Classic is a Hip Hop artist and Songwriter, born in Muskegon MI. Grew up in a military family spending his childhood numerous states in the United States while also growing up in Berlin Germany. Classic got his name from his love of classical music from the renaissance period, he has an old school style flow with the ability to switch up his style while still maintaining the substance that more traditional hip-hop listeners enjoy over newer sounding hip-hop. He first started to rap after his mother got him into music at an early age. He always have an ear for good sound.
“My mother was into fashion, music and overall life. As time evolved we evolved with it. I just took what styles I liked and thought represented parts of my personality best. Rather than being riding the beat like a southern artist, to switching up to a west coast style, but centering my style in what influenced me most and that’s the early 90’s east coast style. I have all those elements in my style today where I’m capable to jump on multiple sounds and styles being that I let the beat tell the story that way I’m able to leave my signature on the track.”
The recent rise of groups like Griselda’s artist, Westside Gunn, Benny the Butcher, and Conway standout as his favorite artist up to date. Also including the likes of Royce Da 5’9“, Da Baby, Migos, Eminem, J Cole and Kendrick Lamar. Aside from his rhyming skills and undeniable talent, Classic has underwent an evolution taking what he’s experienced in his earlier start in hip-hop and combining it with where we all are currently in time. Going under the radar for most of the earlier part of his career, he has reemerged a force.
However his career in music would get a later start being that he was a pretty decent high school basketball player and would focus a lot of his time on sports. Attending Kansas Wesleyan University by the end of 2004 he wanted to focus on music full time. Everything started for me when our family relocated to Phoenix AZ in 2008 where he pushed mixtapes out of his car and ran the local scene doing shows. He ran into Juice a “Black Wall Street.” Artist for The Game’s group. Who enjoyed one of his mixtapes and started to do music with him.
“I started making moves rather quickly opening up for DJ Quik and Kurupt out in Scottsdale AZ at a Sean Healy event, shows my grind and networking skills, I wasn’t from the Phoenix area but I met all the right people and in a short time I grew faster than previous years before that.” With mixtapes “Phoenix New Sun 3.” being sold from the trunk of his car back then making very little use of the internet this tape saw only 276 plays on datpiff. In February 2008 Phoenix New Sun 4 hosted by Juice of Black Wall Street in 2009 received over 200 downloads and 442 plays. “The Michigan Wolverine.”
In 2011 featured Willie The Kid who at the time was on D.J. Drama’s label received 527 only releasing via Bandcamp. “We got a track called, “Spartans & Wolverines.” which was special to me being that Willie is still currently the biggest artist in Western Michigan.” In November 2012 “No Cover.” arguably one of my top projects was released by DJ Gallo of Coast to Coast Mixtapes. The tape received 50,000 plays and sponsored on datpiff. That’s where the new chapter started.
“I rebranded myself during this moment in time because I was changing as a man.” In 2013 I got married in Washington D.C. where my wife and I lived at the time. I stayed consistent during the time creating a brand for my music called, ‘Cat3goryOtha,” which represents my life being that I’m not of the norm, I can’t be put in a category because my entire life has been adapt and change. I started my mixtape series “Back To The Past.” with a feature from G-13 who featured on the track “Nas is Coming.” off the It Was Written album. I began to settle into my new role as a man focusing more time on working a regular job and dealing with that grind, music wasn’t producing money so i focused on what did.”
2016 Classic would start to pick back up releasing another mixtape, “Back To The Past 2″ via bandcamp while going on the 8th Annual Get Money Stop Hating Tour in cities such as Louisville KY, Indianapolis IN, Detroit MI, Dayton OH, and Austin TX SXSW to name a few moving more physical copies than ever before. In 2017 he won an event with Coast 2 Coast Live and attended their annual convention in Miami Florida Sept. 17 2017, where he released, “The Chillzone.” while also recording; “The Black Side,” his first entry into the streaming world and struggled with a mere 446 streams. “I had to learn the game, there were fewer opportunities for artist to get their music out and I’ve always been consistent so I knew after this project I would be able to really pick up and head in the right direction.”
Read: Classic: Album Review, Features and Songs
The Black Side touches on police brutality and puts more of a spot light on the political side of the U.S. Which has only magnified during the current state of the United States. “Late 2018 I toured, the “Well Worded Tour.” with Landon Wordswell & Gray Jackson. We drove to Knoxville Tenneessee, Charleston South Carolina, Columbia South Carolina, Bloomington Illinois, & Urbana Champagne. from Oct. 3rd to 7th headlining the tour. A vision Landon Wordswell executed assembling the best rising hip hop talent in the country.”
Artist Spotlight
“The Good Part” by Sloan Treacy reveals the emotive heartache behind an optimistic wait for better resolve

At just 16 years old, Nashville-based songwriter and rising star Sloan Treacy impressively dissects emotion with poetic precision as if she has experienced lifetimes of emotional near-misses. Her newest single, “The Good Part,” recorded in Los Angeles and serving as a precursor to her upcoming sophomore EP, offers a poignant reflection on denial and vulnerability, proving that she is wise beyond her years. Dripping with sincerity and enchanting emotion, the track captures the pain of holding on and waiting for something that may never arrive, despite knowing that letting go would be wiser, something many people twice her age still struggle to articulate.
“The Good Part” is backed by influential collaborators, including producer Don Miggs, who has worked with legends like Dolly Parton and Cowboy Mouth, lending credibility to the production. The mix, crafted by Grammy-winning engineer Mark Needham, features a shimmering, cinematic pop sound that perfectly complements Sloan’s heartfelt vocal delivery. Her voice carries a fragility that evokes the calm before the storm, allowing listeners to perceive the looming emotional upheaval intuitively.
Thematically, “The Good Part” explores the protagonist’s existential dilemma, encapsulating their entrapment in a repetitive cycle of aspirational yet ultimately unfulfilling promises. The lyric, “Honey, can’t you wait a little longer? We were just getting to the good part… Or is that all we had to offer?” alongside “There’s only one life left to conquer,” echo a profound juxtaposition of resignation and lucidity, resonating with those who may conflate fleeting escapism with genuine liberty. The track’s dynamic build is intentionally gradual, effectively mirroring the intricate emotional landscape of recognizing a deteriorating situation while simultaneously nurturing hope for a favorable future. This nuanced approach provokes deeper contemplation regarding the tension between desire and disillusionment.
Treacy’s artistry masterfully navigates the delicate intersection of youthful vulnerability and intellectual maturity, feeling neither contrived nor overly polished. Her work draws listeners into an intimate and magnetic exploration of emotion that is both honest and captivating.
With “The Good Part,” Sloan Treacy transcends the typical confines of another teen-pop single. She weaves a narrative that speaks profoundly with those who have invested emotional capital in relationships or awaited unfulfilled commitments. The song encapsulates heartbreak with remarkable grace, and while this may act as a prologue, the compelling promise of a good part might still lie ahead. Please keep a close watch on her trajectory; this track is already poised to be incredibly impactful, making it substantially resonate deeply with audiences on a soulful level.
For more information about Sloan Treacy, please visit [website].
CLICK HERE TO STREAM Sloan Treacy’s “The Good Part“ on Spotify.
CONNECT WITH Sloan Treacy | Instagram | TikTok | Facebook |
Electronic
Michelle Galas releases a summer soundtrack with “Take Me Baby (In Your Arms) – Starseed Remix”

In an exciting collaboration that’s bound to get both radio listeners and dance lovers buzzing, pop star Michelle Galas teams up with the talented DJ Starseed to release a fresh remix of her hit song, “Take Me Baby (In Your Arms) – Starseed Remix.” This new version takes everything fans love about the original and gives it a lively twist. You can feel Starseed’s energetic style. The music is packed with lively sounds, keeping the beat fast and fun perfect for a night out. Michelle’s voice stands out beautifully, balancing strength with emotion.
Whether you’re dancing at a festival or driving with the windows down, her singing feels just right. While the original song was already catchy, this remix takes it to another level. The chorus is super memorable and is enhanced by Starseed’s fresh sound, making it perfect for the hottest dance playlists of 2025. Imagine a blend of the confidence you hear from artists like Dua Lipa, the energy of Becky Hill, and the cool vibe of RAYE, all while showcasing Michelle’s unique charm. What truly makes this remix special is the way Michelle and Starseed connect creatively.
Their teamwork shines through in the music, creating a track that feels both exciting and natural. This remix helps set trends. “Take Me Baby (In Your Arms) – Starseed Remix” shows that Michelle Galas is ready to grow, try new things, and, most importantly, have fun while doing it. Get ready to hear this track everywhere, from pool parties to dance clubs, and don’t be surprised if you find yourself hitting the replay button more than once.
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