Music
Classic: Big Next Rated Hip Hop Artist From Muskegon MI
Classic is a Hip Hop artist and Songwriter, born in Muskegon MI. Grew up in a military family spending his childhood numerous states in the United States while also growing up in Berlin Germany. Classic got his name from his love of classical music from the renaissance period, he has an old school style flow with the ability to switch up his style while still maintaining the substance that more traditional hip-hop listeners enjoy over newer sounding hip-hop. He first started to rap after his mother got him into music at an early age. He always have an ear for good sound.
“My mother was into fashion, music and overall life. As time evolved we evolved with it. I just took what styles I liked and thought represented parts of my personality best. Rather than being riding the beat like a southern artist, to switching up to a west coast style, but centering my style in what influenced me most and that’s the early 90’s east coast style. I have all those elements in my style today where I’m capable to jump on multiple sounds and styles being that I let the beat tell the story that way I’m able to leave my signature on the track.”
The recent rise of groups like Griselda’s artist, Westside Gunn, Benny the Butcher, and Conway standout as his favorite artist up to date. Also including the likes of Royce Da 5’9“, Da Baby, Migos, Eminem, J Cole and Kendrick Lamar. Aside from his rhyming skills and undeniable talent, Classic has underwent an evolution taking what he’s experienced in his earlier start in hip-hop and combining it with where we all are currently in time. Going under the radar for most of the earlier part of his career, he has reemerged a force.
However his career in music would get a later start being that he was a pretty decent high school basketball player and would focus a lot of his time on sports. Attending Kansas Wesleyan University by the end of 2004 he wanted to focus on music full time. Everything started for me when our family relocated to Phoenix AZ in 2008 where he pushed mixtapes out of his car and ran the local scene doing shows. He ran into Juice a “Black Wall Street.” Artist for The Game’s group. Who enjoyed one of his mixtapes and started to do music with him.
“I started making moves rather quickly opening up for DJ Quik and Kurupt out in Scottsdale AZ at a Sean Healy event, shows my grind and networking skills, I wasn’t from the Phoenix area but I met all the right people and in a short time I grew faster than previous years before that.” With mixtapes “Phoenix New Sun 3.” being sold from the trunk of his car back then making very little use of the internet this tape saw only 276 plays on datpiff. In February 2008 Phoenix New Sun 4 hosted by Juice of Black Wall Street in 2009 received over 200 downloads and 442 plays. “The Michigan Wolverine.”
In 2011 featured Willie The Kid who at the time was on D.J. Drama’s label received 527 only releasing via Bandcamp. “We got a track called, “Spartans & Wolverines.” which was special to me being that Willie is still currently the biggest artist in Western Michigan.” In November 2012 “No Cover.” arguably one of my top projects was released by DJ Gallo of Coast to Coast Mixtapes. The tape received 50,000 plays and sponsored on datpiff. That’s where the new chapter started.
“I rebranded myself during this moment in time because I was changing as a man.” In 2013 I got married in Washington D.C. where my wife and I lived at the time. I stayed consistent during the time creating a brand for my music called, ‘Cat3goryOtha,” which represents my life being that I’m not of the norm, I can’t be put in a category because my entire life has been adapt and change. I started my mixtape series “Back To The Past.” with a feature from G-13 who featured on the track “Nas is Coming.” off the It Was Written album. I began to settle into my new role as a man focusing more time on working a regular job and dealing with that grind, music wasn’t producing money so i focused on what did.”
2016 Classic would start to pick back up releasing another mixtape, “Back To The Past 2″ via bandcamp while going on the 8th Annual Get Money Stop Hating Tour in cities such as Louisville KY, Indianapolis IN, Detroit MI, Dayton OH, and Austin TX SXSW to name a few moving more physical copies than ever before. In 2017 he won an event with Coast 2 Coast Live and attended their annual convention in Miami Florida Sept. 17 2017, where he released, “The Chillzone.” while also recording; “The Black Side,” his first entry into the streaming world and struggled with a mere 446 streams. “I had to learn the game, there were fewer opportunities for artist to get their music out and I’ve always been consistent so I knew after this project I would be able to really pick up and head in the right direction.”
Read: Classic: Album Review, Features and Songs
The Black Side touches on police brutality and puts more of a spot light on the political side of the U.S. Which has only magnified during the current state of the United States. “Late 2018 I toured, the “Well Worded Tour.” with Landon Wordswell & Gray Jackson. We drove to Knoxville Tenneessee, Charleston South Carolina, Columbia South Carolina, Bloomington Illinois, & Urbana Champagne. from Oct. 3rd to 7th headlining the tour. A vision Landon Wordswell executed assembling the best rising hip hop talent in the country.”
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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