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Dana White Rips Judging After Holloway Vs. Volkanovski Decision

Dana White has been one of the most outspoken commissioners/presidents in all of sports, and last night, that was no exception. Prior to the main event, there was a fight between Max Holloway and Alexander Volkanovski. In the end, Volkanovski was able to win the fight via split decision although it was clear that Holloway should have been the victor. Sure, he lost rounds four and five but the first three rounds were easily in his favor.

Regardless, the judges decided to give the win to Volkanovski seeing as though he is the reigning champion, and you need to be convincing if you want to get the decision. After the fight, White spoke to the media and was very critical of the judges, noting that there is no way Holloway should have lost.

Dana White

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“You can’t leave it to these guys. We’ve got some bad judging. I’m sure (Holloway) is devastated. Did anybody here score it for Volkanovski? Anybody? Nobody in the media? I don’t know. We’ll have to figure it out,” White said per BloodyElbow.com. 

UFC 251 was the first-ever Fight Island event so White will certainly have kinks to work out. Regardless, the fights were entertaining, for the most part. Hopefully, the judges will improve the next time out.

[Via]

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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