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Album Review

Dianña is Back with New Christmas Single

With the graceful demeanor of a classic country crooner, Dianña draws us into her inescapable melodic web in the new single “Missing You Underneath the Mistletoe,” an ode to the holiday season and a tribute to the sumptuous sounds of winter. “Missing You Underneath the Mistletoe” has the feel of something straight out of the classic American songbook, and yet its foundations aren’t marred in a lot of familiar themes we’ve heard a hundred times before.

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Undaunted by the notion of having to live up to all of those other recording artists who took a crack at this genre every December, Dianña decadently adds a country nuance to this composition’s boxy beat and makes it feel not only like a taste of the holidays akin to eggnog but also like a glimpse into her artistic palate as we’ve never heard it before. She doesn’t hold anything back from us in this new single, and if you love Christmas as much as I do you can consider this track required listening all month long.

Dianña is so patient in the execution of her verses that her musical profile has much more in common with the vocal standards singers of the early 20th century than it does with many of her peers. She’s decidedly more restrained than anyone in contemporary pop, yet she has this intrepid nature as a performer that makes her ambitious goals seem a little easier to reach.

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“Missing You Underneath the Mistletoe” demands a certain amount of nimbleness from the singer of its tender words, but rather than trying to cross the finer points of the song with a lot of vibrato-filled showing off, she glides through the prose without ever attacking its more difficult twists and turns. For someone with the skillset that Dianña has there’s no need to embellish the melody with unneeded bells and whistles. She’s letting the groove of this piece do all the work for her and merely adding her vocal stylings as a finishing touch.

There’s so much color and rich texture to this recording that I could spend hours trying to analyze its deeper intricacies. Dianña is very good at sewing more minute details together in the fabric of her songs, and though she could have gone with something more streamlined, she put just as much effort into making these ridges feel larger than life.

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We’re nudged closer to the flame in her heart with the utterance of each syllable, and instead of feeling like we’re hearing a tired old Christmas song that’s been played at one too many parties, it’s like we’re experiencing the same joy that children feel when they come dashing towards the tree on Christmas morning.

If you haven’t already done so, I highly recommend securing a copy of “Missing You Underneath the Mistletoe” this December; Dianña offers us one of the best songs of the holiday season without wrapping it in all the commercial ribbons we’re used to. For what I look for in this genre, she’s hit the spot and then some.

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Babette Cook

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Album Review

Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.

The album commences with You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.

Progressing to No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.

Listeners will find Goldilocks particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.

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Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.

Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.

CLICK HERE TO STREAM Jangus Kangus’s Album Fortune Cookie on Spotify.
CONNECT WITH Jangus Kangus | Instagram | Facebook |

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Album Review

Eric Schroeder drops a riveting dare into his emotionally charged new album “Cat’s Game”

Eric Schroeder

Eric Schroeder, a distinguished innovator within the indie rock-pop sphere, born and raised in San Diego, has unveiled his ambitious latest album, “Cat’s Game,” a masterful project that deftly explores intricate emotional landscapes. Comprising ten meticulously woven tracks, traverse through landscapes of confessional intimacy, introspection, and sonic defiance that revitalizes classic rock ‘n’ roll aesthetics. Recorded at Mant Sounds under the expert production of Rob Schnapf and engineered by Matt Scheussler, this striking new album premieres today and signifies a potential shift in the contemporary rock narrative.

As a pivotal player within San Diego’s eclectic music scene, Eric Schroeder adeptly navigates the dynamics of chaos and clarity, and “Cat’s Game” showcases his most sophisticated orchestration to date. Collaborating with a tight-knit ensemble featuring Matt Scheussler (bass), Jake Richter (drums), and Aidan Finn (keys), Schroeder breathes life into every lyric, wrapping each composition in swirling authenticity and unfiltered emotional gravity.

Commencing with the soaring rock gem High And Low,” listeners are immediately plunged into the heart of Eric’s introspective lyricism, capturing a spectrum of euphoria tinged with unintentionality, where moments of sorrow transmute into uplifting sentiments. The follow-up singleEmily floats a unique form of bittersweet poetry, allowing audiences to resonate with a profound longing through emotive acoustics and nostalgic melodies. Furthermore, the slow-burning Don’t Wanna Let You Go effectively merges vulnerability with assertive musical grit in one unforgettable, gut-punching anthem.

Tracks like As I Sit Here In My Car and I’ve Got Problems demonstrate Schroeder’s exceptional proficiency in turning everyday occurrences into deeply relatable stories, marrying lyrical poetry with infectious grooves and cinematic soundscapes. Meanwhile, Leave Me Sleeping arises as a notable highlight, functioning as a haunting lullaby drenched in longing and lucid dreamlike clarity, further underscoring his capacity to encapsulate solitude in a captivating sonic framework.

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Mid-album highlights, such as My Big Brother,” “Slipstream,” andSummer In The Psych Ward,” explores the chaotic interior of memory and identity, enhancing the psychological dimensions of Schroeder’s artistry. Finally, the closing track, The Road To Recovery,” presents an achingly beautiful exhale, a tender, tremulous resolution to a defiant, emotionally rich album.

Cat’s Game” is a crucial addition to any rock enthusiast playlist, reminding us of the enduring significance of music in contemporary culture. The album is an immersive manifesto of emotional honesty, dynamic storytelling, and fearless creativity. Eric Schroeder doesn’t just participate in this artistic endeavor; he is rewriting the rules with his enchanting vocal delivery. His rare gift for transmuting vulnerability into visceral musical encounters cements his reputation as a mesmerizing songwriter, a burgeoning force in today’s evolving music landscape, poised to make a significant impact.

 

For more information about Eric Schroeder, please visit [website]. 
CLICK HERE TO STREAM Eric Schroeder’s Album Cat’s Game on Spotify.
CONNECT WITH Eric Schroeder | Instagram

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