Music
Diddy Celebrates Ten Years Of ‘Last Train To Paris’ With Studio Footage Of Kid Cudi And Busta Rhymes
Cudi can be seen testing out a verse while Busta praises the album’s ‘future’ sound in some behind-the-scenes clips. …
It’s been exactly ten years since Diddy released his seminal album Last Train To Paris and the rapper is celebrating the anniversary by reliving memorable moments in the studio. He shared a handful of behind-the-scenes videos of him working on the album and the clips depict Kid Cudi, Busta Rhymes, and Jay Electronica offering their two cents on the recording process.
In the never-before-seen footage, Kid Cudi can be seen trying out a verse while Busta Rhymes notes the album’s “future” sound. In one of Diddy’s resurfaced clips, he describes how Pharrell complimented the album’s sound:
“So I played this sh*t for Pharrell in the infantile stages. That n***a ain’t never amp me up. He said, ‘I ain’t gon’ front, n***a. You on to the new Black. And I’m running with that. This sh*t is the new Black. We got a lot of sh*t inspiring us to be who we can be. We got Obama. We entering our f*ckin’ 20th year doing this sh*t. We should be able to be the essence of who we want to be. This sh*t is the new. We making new Black all around.”
While the behind-the-scenes footage was shared for The Last Train To Paris‘ ten-year anniversary, the video arrives at an apt time, as Kid Cudi and Busta Rhymes both just released anticipated albums. The former debuted Man On The Moon III: The Chosen last week, while the latter shared a deluxe version of his 2020 LP Extinction Level Event 2: The Wrath Of God in November.
Watch Kid Cudi, Busta Rhymes, and Jay Electronia in the studio with Diddy above.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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