Entertainment
DO BETTER: Gervonta Davis Rep. Responds To Hit & Run Allegations With “No Comment”
Gervonta Davis responds to allegations he pulled a hit in run with his Lamborgini Urus with “No Comment” dispute the car in question featured in his vlogs and on social media …
Source: Prince Williams / ATLPics.Net
Gervonta Davis is living the high life after his pay-per-view debut this past weekend, in which he ended the fight with a huge knockout. He could not have imagined a better outcome to show he really is the star that he and Floyd Mayweather believe he is.
But outside of the ring, his actions are always in question, with lawsuits being thrown his way left and right–Even more so after earlier this year, when footage of him dragging the mother of his child surfaced online. Then, within the two months that followed, he received a pair of lawsuits: One for allegedly trying to pay for his new jewelry with a fake check, and the other is from a man claiming Davis broke his hand in an incident.
It’s safe to say the man’s decision-making is pretty terrible, from the outside looking in. Now, according to TMZ, Gervonta is being linked to a hit and run in Baltimore and issuing the wildest response you could imagine.
Local reports out of Baltimore say the car is a Lamborghini Urus, a very expensive SUV. There is footage of Davis driving off in a tricked out Urus with no tags after his victory over Leo Santa Cruz on Saturday.
When cops arrived at the scene, the car responsible for the crash had fled — despite several people sustaining injuries in the wreck.
Gervonta’s representatives official response was simply, “no comment.” Looks pretty bad when you consider the fact that Gervonta was hosting his birthday party at a club less than a mile away from the accident. Police won’t name him as a suspect at the moment, but it’s looking pretty clear which direction they are leaning.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
-
Artist Spotlight5 days ago“Black Woman Are Not Cheap” by Deportee is a hip-hop statement of respect and identity
-
Artist Spotlight6 days agoLouie Sace sets the dancefloor in motion with latest release “Body Bend”
-
Artist Spotlight5 days ago“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era
-
Artist Spotlight5 days agoOBRUT drops a bomb of an anthem for maximum impact on latest release “2:22”
-
Artist Spotlight6 days agoGeorge Montague follows the red light home on new release “Home”
-
Artist Spotlight5 days agoSaint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”
-
Artist Spotlight5 days agoArianna Kant lives up to her name on latest release “I WANT I DESERVE I CAN”
-
Artist Spotlight5 days agoThee Sinseers reignite romance with latest release “Let’s Fall In Love (Again)”