Entertainment
Donald Glover Calls The Next Two Seasons Of ‘Atlanta’ “Some Of The Best Television Ever Made”
Donald Glover has made fans wait a long time for the next season of his hit series, Atlanta, but he’s confident the finished product will be worth the wait. …
Donald Glover has made fans wait a long time for the next season of his hit series, Atlanta, but he’s confident the finished product will be worth the wait.
Source: Laurent KOFFEL / Getty
On Friday, during a very rare appearance on Twitter, Glover listed his favorite rappers right now before teasing the highly-anticipated third and fourth seasons of Atlanta.
The actor popped up to reveal that the Get Your Booty to the Polls ad campaign was created by Atlanta alum Angela Barnes Gomes, saying she originally asked him to rap on it.
“She asked me to rap on it, but @Steve_G_Lover [Stephen Glover] is a better rapper…so,” he tweeted.
After that, he decided to tease the upcoming seasons of Atlanta, comparing the third and forth seasons of his show to one of the most beloved cult-classic TV shows of all time.
“While I’m here: Atlanta s3+s4 are going to be some of the best television ever made,” he tweeted. “Sopranos only ones who can touch us.”
That wasn’t the only surprise he had for fans, though. While he’s teased the retirement of his ‘Childish Gambino’ moniker, fans no longer have to worry that Glover isn’t making any more music–because he confirmed that, too.
“last music project was probably my best. but the one coming will be my biggest by far,” he tweeted. “listen to “new ancient strings” outside.”
He didn’t give any release dates for Atlanta or for the aforementioned music, but whenever he does put these projects out, he’s going to have an amazing year.
“There is a lot (of magic) comin,” Donald teased fans. “Yall thought i was hot in 2018.”
While these announcements don’t give fans any clarity, it’s nice to know the beloved actor and rapper has some big plans sometime soon.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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