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Double Trouble, Ice Spice Unveils Alternate “Y2K” Cover, Sparking Fan Debate

Ice Spice

Ice Spice is gearing up to drop her highly anticipated album “Y2K,” and she’s stirring up excitement with some bold artistic choices. Recently, she took to social media to reveal an alternate cover art for the album, maintaining the blue and green hues, urban backdrop, and nostalgic 2000s vibe of the original. This time, though, the cover features two versions of Ice Spice: one trapped in a train and another towering over the New York City skyline with her signature orange curls, contrasting with her recent slicked-back look.

Fans are divided over which cover they prefer, with each version offering distinct elements that could sway opinions. The release of this alternate cover is a strategic move to keep the buzz alive and give fans a taste of what to expect from “Y2K.” Ice Spice has already given a glimpse of the album’s sound with singles like the fast-paced “Phat Butt,” but the visual aspects are proving just as crucial.

The original “Y2K” cover art also sparked mixed reactions, prompting Ice Spice to defend it passionately online. She praised the legendary David LaChapelle, who created the artwork, highlighting his influence and the intentional placement of “Y2K” on a trash can as a nod to the era’s themes.

As the tension with fellow rapper Latto escalates, this alternate cover could play into the ongoing promotional strategies of both artists. Whether they continue their rivalry or keep their distance, the buzz around Ice Spice’s “Y2K” shows no signs of slowing down.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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