Music
Drake’s Toronto Nightmare, Booed Off Stage at Limp Bizkit Concert

Drake’s 2024 just hit another low. The Toronto native faced a surprising reception at a Limp Bizkit concert in his hometown on July 24. The iconic nu-metal band, currently on their Loserville tour, found themselves playing host to an unexpected guest – and an even more unexpected reaction.
During the concert, frontman Fred Durst announced Drake’s presence, expecting a warm welcome. Instead, the crowd erupted in boos. “I thought Drake was your homie,” Durst said, trying to quell the audience’s reaction. “Drake’s my homie.” He even dedicated the next song to the rapper, but the gesture did little to sway the audience’s mood.
Social media quickly lit up with reactions to the incident. One user on X commented, “I doubt many Drake fans and Limp Bizkit fans are synonymous with one another.” Another noted the irony, saying, “I wasn’t expecting them to like him, but it’s still funny that it happened in Toronto.” A third user humorously added, “Welp, guess Drake is gonna take a selfie with oversized pants, a Korn T-shirt, and a box of biscuits,” poking fun at the rapper’s potential petty response.
This hometown rejection adds to a string of challenges for Drake this year. His feud with Kendrick Lamar saw Lamar’s “Not Like Us” become the year’s biggest hit, overshadowing Drake’s musical efforts. Despite contributing to Camila Cabello’s latest album, Drake hasn’t released a chart-topping hit in 2024. Even his diss tracks aimed at Lamar fell flat with the public.
Drake’s recent appearance on producer Gordo’s album, DIAMANTE, offers a glimpse of his latest musical direction, reminiscent of his 2022 house music pivot in Honestly, Nevermind. With new music reportedly on the way, the rapper is likely to release an album before the year ends in an attempt to reclaim his spot in the spotlight. But after being booed in his own backyard, he might need to start winning back his home fans first.
Album Review
Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.
The album commences with “You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective “Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.
Progressing to “No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy “Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card “Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.
Listeners will find “Goldilocks” particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, “Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, “High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.
Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.
Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.
CLICK HERE TO STREAM Jangus Kangus’s Album “Fortune Cookie“ on Spotify.
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Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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