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Elly Tess Faces An Expired Relationship Head On In New Single “ghosting”

“ghosting” is an energetic electro-pop track going out to anyone who has ever felt like a ‘back-up’ plan to their significant other.

Pop singer-songwriter Elly Tess delivers an electric anthem with her new single “ghosting,” out now. Released alongside a beyond glamorous, sultry music video this track is following the songstress’ brilliant 2021 debut with her single, “sad girl.” “ghosting” dives into the gut-wrenching experience of feeling a relationship burn-out while your significant other refuses to admit the truth. At its core, this track embodies how difficult it can be to end toxic relationships, and the frustrations of feeling trapped in a romance that is bound to whither. Listeners can expect to hear elements of artists like Zara Larsson and Dua Lipa on “ghosting;” Elly Tess has shown that her knack for painfully melancholic story telling invigorated by an electric beat is a force to be reckoned with in 2022.

The Poland-born LA transplant found herself living through a harrowing situation where her significant other prioritized the social safety of maintaining a toxic relationship over ending something that was already fading away. Feeling frustrated and gaslit, Elly Tess poured her passion into this track from start to finish; she says, “I loved being able to turn this deeply painful experience into a song to which you can dance all of your feelings out.” For Elly Tess, “‘ghosting’ is a manifestation of deep frustration. I think there’s nothing more cowardly than keeping someone around as a back-up plan,” she says. Viewers watch the artist as she embodies the full scope of emotions from her experience – frustration, bitterness, and resentment – and dances in spite of them.

Fans can stream “ghosting” on all major streaming platforms now.

More about Elly Tess:

Elly Tess is a writer, singer, composer and songwriter born in Łódź. The artist has been living in the USA since the age of 13. In 2013, she published a fantasy novel, entitled “Sapphire”. In 2020, she graduated with honors (Summa cum Laude) from the University of California in Los Angeles (UCLA) in two fields of study: philosophy and music industry.

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Artist Spotlight

Alias Wayne celebrates the beauty of genuine affection on latest release “Tribute”

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Alias Wayne brings the romantic message to the fore with “Tribute,” a song written to celebrate someone whose qualities deserve recognition and appreciation. The whole release is really about love and wanting the world to know how special someone is to you. It’s a simple yet significant idea, especially since the song takes an appreciation-based approach to romance rather than focusing on the thrill of attraction.

As the track progresses, the addition of shakers and hand drum adds yet another layer of rhythmic character, giving the arrangement a lively quality. What I really like is how these elements help the song move forward without detracting from its romantic message.

The lyric direction also keeps affection at the center, expressing admiration for someone’s qualities and a desire to get closer through a personal invitation to share a dance. It gives the song a warm, accessible feel. “Tribute” is a release that celebrates someone special. Alias Wayne blends a message of love with guitar, percussion, and rhythmic movement. It’s a nice treat for fans of romantic songs with a personal touch.

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Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”

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Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.

I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.

Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.

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