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Exclusive Interview With Rising Sensation Jarred Brown

Jarred Brown

Hello Jarred Brown, Thanks for Coming To Honk Magazine To Talk About Your Music Career.

Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.

I’m Jarred Brown AKA Horizon Wake an RnB/Pop artist currently based out of London, Ontario. I found my introduction into music as a child in Toronto, Canada where I taught myself to play guitar and started singing for my rock band when nobody else wanted to do it. 

Talk me through your creative process.

My creative process is in large part a collaborative effort with my long time friend and producer Jesgee Beats. Typically I’ll start off with an idea that’s usually inspired by some kind of life event, a memory, or sometimes even a dream. 

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I’ll take that and it usually comes along with a melody and basic lyrics that most of the time end up becoming the foundation for the hook section. Lately I’ve been recording vocals, guitar, bass, or a combination of the three and sending/taking them over to Jesgee where we work together to transform it into what you hear in my releases. The pandemic played a big role in shaping our current process and actually strengthened our ability to work together. We began working online during quarantine and at some points I was even recording demos from my car before I was able to get my home studio up and running. We still continue to start most of our work through discord.

How do you solve productivity/scheduling problems and reduce overwhelming situations?

Productivity and scheduling typically isn’t a huge issue for me at this stage but I do find that when situations begin to get a little overwhelming or there is a lack of productivity being direct is a huge help. This industry is collaborative by nature. I’m responsible for the music while someone else takes care of videos or mixing, or whatever else needs to be done to take the music where it needs to go. I learned over time that being direct, keeping open communication, and taking charge of the scheduling or whatever other issue is the key. Set deadlines and communicate them firmly.

What’s the best advice you ever received concerning music?

I’ve received a lot of good advice over the years and I think the best advice given to me regarding music creation is to not get comfortable and don’t let genre box you in. I find that a lot of new artists will approach writing/producing new music in a way that is almost like a cookie cutter style where they take something that someone else in the genre has done well and replicate it over and over. 

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Sometimes artists feel like they can’t write a certain lyric or use a certain instrument or melody because it doesn’t sound RnB or Hip Hop. This kind of thinking crushes creativity. Artists should keep experimenting and evolving. Otherwise how do we grow and improve?

What is still your biggest challenge?

For me I’d say my biggest challenge is knowing when a song is complete. I can sometimes be a bit of a perfectionist or judge myself a bit too harshly before releasing a project. It’s really easy to overthink or keep making tweaks to your songs past the point where you should. Knowing when to take time away really helps and getting a second opinion from people you trust to give honest feedback goes a long way.

What would you have done differently if you knew then what you know now?

Don’t rely on the wrong people. If I could go back to the day I started I’d push myself to record everything as often as possible and to make connections with people that are just as passionate as I am. Starting out I formed a lot of relationships with people who just weren’t in music for the long-term. So many people have so much potential but lose the drive to keep pushing. I don’t think I can ever stop making music. For some of us it is a part of who we are. Find those people and push forward together or learn how to do as much as you can for yourself so you aren’t slowed down by others.

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If you could go open a show for any artist who would it be?

There are so many amazing artists that I would love to perform with or open up for. To be honest I’m a huge fan of Post Malone. I’m incorporating more guitar in my music and performances. I think we could rock out together.  

What are you focusing your time on now?

Right now I’m focussing my time on developing my new sound and releasing an EP. I’ve had a shift where I’m blending my RnB sound with more pop and rock elements to better suit my musical background. I plan on having the EP for release in November and it’ll be much more pop influenced than what I’ve released previously.

I’ve got a new song about a bad relationship called “Young Girl Games” featuring Coobie and Golden G dropping on September 30th.

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How do you currently feel about the state of Hip-hop in general?

I think hip-hop is in a really cool spot. Over the past few years it’s really grown and become integrated deeply into the mainstream. Most modern pop music has more than a few hip-hop elements where there never would have been before. 

Growing up I remember my mom throwing out my Eminem CDs and not understanding rap music as art. Now she listens to a lot of the same things that I do. I think now more than ever we have the ability to experiment with our production in the hip-hop space. We’re blurring the lines between genres. I think its awesome.

What keeps you going when things get tough in the music industry?

When things get tough in the industry there are 2 things that usually keep me going. I love when other artists or fans reach out on social media to let me know how much they vibe with my work. It helps to keep me pushing on and often times can even shift my mood to increase in productivity. I also really enjoy having conversations with them and hearing the music they make or connecting with them in general. 

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So I really encourage my fans to feel comfortable sending DMs on instagram or TikTok so we can connect. I can’t always respond to everyone right away but I try to do as much as I can. Secondly, I take a break from whatever is stressing me out for a while. It’s so easy to get caught up in all the responsibilities and forget why you make music in the first place. I won’t ever stop creating because it’s an outlet for me. When the stresses become too much I take a step back and just create for the love of creating. It’s important to take breaks and give yourself some breathing room to keep it fun.

How can our readers follow you online?

Follow me on TikTok, Instagram, and YouTube @HorizonWake. My music is available on all major platforms so head over to wherever you get your music from and search Horizon Wake.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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