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Fans Reignite Debate Over Drake’s “Back to Back” After Kendrick Lamar’s Epic “The Pop Out” Concert

Drake

Drake‘s unforgettable 2015 OVO Fest performance, where he delivered his scathing Meek Mill diss track “Back to Back,” is under fresh scrutiny by fans on social media. The renewed debate was sparked after Kendrick Lamar’s spectacular “The Pop Out – Ken & Friends” concert in Los Angeles on Wednesday night. Following Complex’s clip of the event shared on X (formerly Twitter), fans seemed unimpressed with Drake’s past show compared to Lamar’s latest powerhouse performance.

“To think about it, this was the response to divert from the ghostwriter allegations… He just distracted y’all,” one user commented. Another chimed in, “If Kendrick put up pics of Drake behind him at Ken & Friends y’all would call him obsessed.” A third fan noted, “We really let this Canadian dude disrespect a street n***a from Philadelphia. This how I know Kendrick and LA is different.”

At “The Pop Out – Ken & Friends,” Lamar shone the spotlight on several West Coast legends while delivering some of his most pointed Drake disses. The night peaked with multiple renditions of his chart-topping hit, “Not Like Us.” Addressing the crowd, Lamar declared, “Y’all ain’t gonna let anyone disrespect the West Coast, huh? Oh, y’all ain’t gonna let nobody mock and imitate our legends, huh?” The event also featured appearances by Tyler, the Creator, Dr. Dre, Ab-Soul, Jay Rock, and more, with celebrities like LeBron James in attendance.

Stay tuned for more updates on the ongoing rivalry between Kendrick Lamar and Drake, only on Honk Magazine.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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