Music
Flo Milli And Yung Baby Tate Rep For The New Class Of Rapping Ladies On ‘I Am’
The two rappers declare they are healthy, wealthy, rich, that b*tch, and more on the boastful ‘After The Rain’ track. …
This year saw the rise of many female rappers in the music world. Listeners were introduced to names like Flo Milli, Sukihana, and Mulatto, while they witness more familiar acts — Megan Thee Stallion, Blimes And Gab, and others — boost their stock and solidify their position in the game. Looking to insert her name into the conversation before the year ends, Yung Baby Tate arrives with her third project in as many years thanks to After The Rain, which comes with an enthusiastic collaboration with Flo Milli.
Standing tall in their respective positions in the rap game, Yung Baby Tate and Flo Milli flex some muscle on their first-ever collab, “I Am.” The track is a bouncy effort that finds them both in an extremely boastful state. “I am healthy, I am wealthy / I am rich, I am that b*tch,” they rap on the song’s hook, adding “I am gonna get that bag and I’m not gonna take your sh*t.” After hearing both verses from the young rappers, it’s clear that it’ll take more than a few insults to stifle their confidence.
Yung Baby Tate’s After The Rain is a seven-track effort that she’s released through Issa Rae’s Raedio label with guest an additional guest appearance from 6lack. As for Flo Milli, if you’re interested in more from the Alabama rapper, revisit her Ho, Why Is You Here? debut which Uproxx ranked at the sixteenth-best album of the year and the seventh-best hip-hop album of the year.
You can listen to “I Am” above.
After The Rain is out now via Raedio. Get it here.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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