Music
Flo Milli And Yung Baby Tate Rep For The New Class Of Rapping Ladies On ‘I Am’
The two rappers declare they are healthy, wealthy, rich, that b*tch, and more on the boastful ‘After The Rain’ track. …
This year saw the rise of many female rappers in the music world. Listeners were introduced to names like Flo Milli, Sukihana, and Mulatto, while they witness more familiar acts — Megan Thee Stallion, Blimes And Gab, and others — boost their stock and solidify their position in the game. Looking to insert her name into the conversation before the year ends, Yung Baby Tate arrives with her third project in as many years thanks to After The Rain, which comes with an enthusiastic collaboration with Flo Milli.
Standing tall in their respective positions in the rap game, Yung Baby Tate and Flo Milli flex some muscle on their first-ever collab, “I Am.” The track is a bouncy effort that finds them both in an extremely boastful state. “I am healthy, I am wealthy / I am rich, I am that b*tch,” they rap on the song’s hook, adding “I am gonna get that bag and I’m not gonna take your sh*t.” After hearing both verses from the young rappers, it’s clear that it’ll take more than a few insults to stifle their confidence.
Yung Baby Tate’s After The Rain is a seven-track effort that she’s released through Issa Rae’s Raedio label with guest an additional guest appearance from 6lack. As for Flo Milli, if you’re interested in more from the Alabama rapper, revisit her Ho, Why Is You Here? debut which Uproxx ranked at the sixteenth-best album of the year and the seventh-best hip-hop album of the year.
You can listen to “I Am” above.
After The Rain is out now via Raedio. Get it here.
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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