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Frank Carrozzo: Still Hungry of Talent, Artists and Music.

Talent Manager launches Record Label GOATHEAD RECORDS

Music is a world made up of the artists singing it, the ones performing it, and the people selling it by putting those pieces of the puzzle together, making sure the success of the enterprise is successfully accomplished.

These “music men” or “impresarios”,  as they were called in the “old music business”, have been lurking behind the curtains away from attention-seeking gossips. Their main goal is to put together songs, projects, and acts in order for others, usually the artists they manage to be able to show them off in front of the audience.

Frank Carrozzo, has been lurking behind the curtains of music and show business for quite some time. At around the age of 16, he started hanging out around other Italian show business impresarios and learning the ways the music business worked. He later got to work as a sound engineer and record producer for names such as Ed Sheeran, Chris Brown, The Game, A$AP Ferg, and Blueface. In 2018, he met Sarah Azhari, an Indonesian top actress, singer and entertainer that lived her glory of “Most Wanted Actress of Indonesia” during the 2000’s and the two began working together on her complete rebranding. Azhari, well known for her controversiality in Indonesia, quickly became under Frank’s advice a woman with a positive outlook and love for her fanbase ready to be catapulted back in show business after about 20 years of hiatus.

The two mastered the arts of YouTube marketing, vlogging, and new media entertainment, gaining millions of views around the world and making Sarah’s return official.

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After managing other Instagram and Tik Tok influencers, Carrozzo went full into music-man mode, founding GoatHead Records, a Los Angeles based record company with the intent of distributing songs, artists and managing their music careers to stardom. The goal has been already taking action by launching singles for artists such as Beth Bella, a Ukrainian born singer-songwriter whose song “Bang Bang” went viral on Tik Tok, hip hop artist Morrison Machiavelli, Y.Rome, and fresh up and coming DJ and artist ASTRØMAN and Sarah Azhari. The last two, in particular, just released a new single named “Near Or Far.”. The two artists appear to be in love in a sci-fi video executively produced by Carrozzo and released by GoatHead Records.

Here is the link to it: https://www.youtube.com/watch?v=9YleDDryDR8

 

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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