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Artist Spotlight

Heart of Pine Release New Music

I admire any band willing to balance retro musical attributes, cross-genre interplay, and evergreen lyrical concerns in an increasingly fragmented entertainment world. Heart of Pine takes those chances, and they pay off handsomely. The band’s slender discography is as solid as they come. Their 2019 full-length debut Highly Flammable had that exact effect.

It exhibited strengths so pronounced that it lit the band’s forward trajectory for the coming years and spawned even greater, yet condensed, success with its EP follow-up 2020’s Southedelic. Anchored by the songwriting team of Steven Bagwell and Travis Richardson, the band’s sophomore full-length Southern Soul Revival continues developing the band’s songwriting chops with the aid of a top-flight band, including the talents of drummer Todd Headley, bassist and multi-instrumentalist Boone Hood, and keyboardist Jesse Fountain.

“Gone” is a deeply felt opener. It’s a reflection on longing for the comforts of home and hearth while avoiding the sentimentality that we might otherwise associate with such songs. It’s expressed simply yet thoughtfully. The arrangement peaks and lulls with well-orchestrated movement that never strikes a false note, and the vocals are superlative throughout. Several stirring elements distinguish the track, but the greatest strengths lie with the expert blending of dueling guitar voices and the intelligent dynamics fueling the song.

I’m a great fan of the valedictory “Movin’ On”. Scores of songs have used this title throughout the history of popular music. Heart of Pine’s take on this well-traveled phrase boasts maturity and leave-taking without rancor while spotlighting another handful of the band’s best attributes. Keyboardist Jesse Fountain dazzles with his piano playing, and the band mixes female backing vocals to counterpoint the lead vocals with great effect.

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“This Way” pleased me to no end. The rolling quality of the percussion, the introduction of horns into the mix, and a further illustration of the band’s command of dynamics are crucial. Steven Bagwell’s singing is an outstanding piece of Heart of Pine’s identity that reaches a particular peak with this performance.

“Voodoo Leg Bone” is outrageous fun. It’s driven forward by an assortment of powerhouse elements. Tasty guitar work is present throughout, Jesse Fountain’s keyboards provide ample fireworks, Todd Headley’s drumming may be his best moment on the release, and the lead vocals rank among the album’s finest moments.

Covering Bob Dylan is always a tricky proposition, but Heart of Pine aren’t mimics. Nor do they grab onto the most obvious of choices. “She Belongs to Me” is undoubtedly superb, but it’s an obscure gem in Dylan’s discography. However, Heart of Pine treats the mid-60s track as a major work and refurbishes it in a distinctive Heart of Pine way. It’s exuberant without ever losing the essence of the original.

The conclusion, “Phetamine & Pearls”, namechecks Dylan in its first line. I love this energetic character study of a past relationship, albeit with a woman you wouldn’t introduce to your mother, and it’s filled with zest. It closes Southern Soul Revival on an upbeat musical note and leaves listeners sure that the band’s future is brighter than ever.

Savannah Renfro

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Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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