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Artist Spotlight

Heart of Pine Release New Music

I admire any band willing to balance retro musical attributes, cross-genre interplay, and evergreen lyrical concerns in an increasingly fragmented entertainment world. Heart of Pine takes those chances, and they pay off handsomely. The band’s slender discography is as solid as they come. Their 2019 full-length debut Highly Flammable had that exact effect.

It exhibited strengths so pronounced that it lit the band’s forward trajectory for the coming years and spawned even greater, yet condensed, success with its EP follow-up 2020’s Southedelic. Anchored by the songwriting team of Steven Bagwell and Travis Richardson, the band’s sophomore full-length Southern Soul Revival continues developing the band’s songwriting chops with the aid of a top-flight band, including the talents of drummer Todd Headley, bassist and multi-instrumentalist Boone Hood, and keyboardist Jesse Fountain.

“Gone” is a deeply felt opener. It’s a reflection on longing for the comforts of home and hearth while avoiding the sentimentality that we might otherwise associate with such songs. It’s expressed simply yet thoughtfully. The arrangement peaks and lulls with well-orchestrated movement that never strikes a false note, and the vocals are superlative throughout. Several stirring elements distinguish the track, but the greatest strengths lie with the expert blending of dueling guitar voices and the intelligent dynamics fueling the song.

I’m a great fan of the valedictory “Movin’ On”. Scores of songs have used this title throughout the history of popular music. Heart of Pine’s take on this well-traveled phrase boasts maturity and leave-taking without rancor while spotlighting another handful of the band’s best attributes. Keyboardist Jesse Fountain dazzles with his piano playing, and the band mixes female backing vocals to counterpoint the lead vocals with great effect.

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“This Way” pleased me to no end. The rolling quality of the percussion, the introduction of horns into the mix, and a further illustration of the band’s command of dynamics are crucial. Steven Bagwell’s singing is an outstanding piece of Heart of Pine’s identity that reaches a particular peak with this performance.

“Voodoo Leg Bone” is outrageous fun. It’s driven forward by an assortment of powerhouse elements. Tasty guitar work is present throughout, Jesse Fountain’s keyboards provide ample fireworks, Todd Headley’s drumming may be his best moment on the release, and the lead vocals rank among the album’s finest moments.

Covering Bob Dylan is always a tricky proposition, but Heart of Pine aren’t mimics. Nor do they grab onto the most obvious of choices. “She Belongs to Me” is undoubtedly superb, but it’s an obscure gem in Dylan’s discography. However, Heart of Pine treats the mid-60s track as a major work and refurbishes it in a distinctive Heart of Pine way. It’s exuberant without ever losing the essence of the original.

The conclusion, “Phetamine & Pearls”, namechecks Dylan in its first line. I love this energetic character study of a past relationship, albeit with a woman you wouldn’t introduce to your mother, and it’s filled with zest. It closes Southern Soul Revival on an upbeat musical note and leaves listeners sure that the band’s future is brighter than ever.

Savannah Renfro

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Artist Spotlight

Kayla Marque lights a fire with “Slow Burn”

Kayla Marque

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.

Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.

As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.

What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.

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Artist Spotlight

Michael Gungor shares a beam of light in a noisy world for “Same Sky”

Michael Gungor

Michael Gungor is back with a bright new offering in “Same Sky,” a song that brims with hope, heart, and harmony. Famed for pushing musical boundaries and weaving soul-stirring messages into his work, Gungor once again taps into something universal, but this time, it feels even more personal.

“Same Sky” is quietly earning it. From the opening couple of seconds, Gungor’s earnest vocals draw you into a dramatic pop arrangement that swells with elegance instead of aggression. It’s uplifting without being preachy, powerful without overwhelming, and an emotional sweet spot that only an artist as seasoned as Gungor could easily manage. What really lodges, though, is the chorus. It is an anthemic quality, the kind you pause mid-scroll or mid-thought to take a breath during. It’s as if to remind you that we still live under the same sky, however divided the world feels. That simple but profound message feels like a quiet awakening in an era of turmoil.

The production is clean and warm, imbued with a modern pop sensibility that never overwhelms the emotion at the center of the song. Every element, the soft percussion, the delicate synth layers, the melodies that tilt toward the sky like a beam of sunlight breaking after a storm, feels carefully placed as an accompaniment to Gungor’s voice, which wavers between tender and assertive.

It’s a timely song. “Same Sky” takes note of our common humanity without getting preachy in a world that can feel like splintering apart at the seams. Whether you’re a longtime fan or just discovering his music, “Same Sky” is a lovely entry into Gungor’s world, one marked by purpose, artistry, and the kind of emotional honesty we could all stand to listen to more.

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