Artist Spotlight

Heart of Pine Release New Music

I admire any band willing to balance retro musical attributes, cross-genre interplay, and evergreen lyrical concerns in an increasingly fragmented entertainment world. Heart of Pine takes those chances, and they pay off handsomely. The band’s slender discography is as solid as they come. Their 2019 full-length debut Highly Flammable had that exact effect.

It exhibited strengths so pronounced that it lit the band’s forward trajectory for the coming years and spawned even greater, yet condensed, success with its EP follow-up 2020’s Southedelic. Anchored by the songwriting team of Steven Bagwell and Travis Richardson, the band’s sophomore full-length Southern Soul Revival continues developing the band’s songwriting chops with the aid of a top-flight band, including the talents of drummer Todd Headley, bassist and multi-instrumentalist Boone Hood, and keyboardist Jesse Fountain.

“Gone” is a deeply felt opener. It’s a reflection on longing for the comforts of home and hearth while avoiding the sentimentality that we might otherwise associate with such songs. It’s expressed simply yet thoughtfully. The arrangement peaks and lulls with well-orchestrated movement that never strikes a false note, and the vocals are superlative throughout. Several stirring elements distinguish the track, but the greatest strengths lie with the expert blending of dueling guitar voices and the intelligent dynamics fueling the song.

I’m a great fan of the valedictory “Movin’ On”. Scores of songs have used this title throughout the history of popular music. Heart of Pine’s take on this well-traveled phrase boasts maturity and leave-taking without rancor while spotlighting another handful of the band’s best attributes. Keyboardist Jesse Fountain dazzles with his piano playing, and the band mixes female backing vocals to counterpoint the lead vocals with great effect.

“This Way” pleased me to no end. The rolling quality of the percussion, the introduction of horns into the mix, and a further illustration of the band’s command of dynamics are crucial. Steven Bagwell’s singing is an outstanding piece of Heart of Pine’s identity that reaches a particular peak with this performance.

“Voodoo Leg Bone” is outrageous fun. It’s driven forward by an assortment of powerhouse elements. Tasty guitar work is present throughout, Jesse Fountain’s keyboards provide ample fireworks, Todd Headley’s drumming may be his best moment on the release, and the lead vocals rank among the album’s finest moments.

Covering Bob Dylan is always a tricky proposition, but Heart of Pine aren’t mimics. Nor do they grab onto the most obvious of choices. “She Belongs to Me” is undoubtedly superb, but it’s an obscure gem in Dylan’s discography. However, Heart of Pine treats the mid-60s track as a major work and refurbishes it in a distinctive Heart of Pine way. It’s exuberant without ever losing the essence of the original.

The conclusion, “Phetamine & Pearls”, namechecks Dylan in its first line. I love this energetic character study of a past relationship, albeit with a woman you wouldn’t introduce to your mother, and it’s filled with zest. It closes Southern Soul Revival on an upbeat musical note and leaves listeners sure that the band’s future is brighter than ever.

Savannah Renfro

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Artist Spotlight

Lana Crow turns challenges into a celebration with “Laugh With You”

“Laugh With You,” the latest single from Lana Crow, is a sincere rallying cry to embrace life in all its messy, beautiful mess. In the song, indie pop and alt-pop combine to deliver an emotional blow that feels both personal and universal.

“Laugh With You” feels like an instant connection, and Crow is telling you stories of hard times with a cozy, knowing smile. This song is as much about struggle as it is about how strong you are. It serves as a reminder that these struggles are simply what give us the strength to keep going, even when life is tough.

Crow encourages people to welcome them, create happiness in the cracks, and laugh even as the world gets heavy. The result is a song that delicately nudges you to love and embrace yourself. It is an anthem for anyone experiencing tough times who refuses to give up hope. Lana Crow continues to demonstrate her songwriting skills, both musically pleasing and emotionally rich, with “Laugh With You.”

It’s a reminder that it’s how we respond to tough times, rather than how they affect us, that’s key. With this song, not only does Crow provide us with music, but she also lets us know that sometimes a laugh is what we need to remember that there is always something to smile about and that, even when it feels like life has waged war against you, laughter can still be found.

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Artist Spotlight

BluntBrad Jr. finds calm ambition in the laid-back shine of “It’s All Good”

BluntBrad Jr.’s new single, “It’s All Good,” sounds like a steady handshake and a deep breath. It’s warm, honest, and not trying to be cool. There isn’t any fancy production hiding behind layers of polish here. Instead, the song is all about being honest. The song is laid-back and offers up the shine of a studio recording for the feeling of a candid introduction, a musical “hello” from someone who wants to be heard for who they are.

“It’s All Good” is a very human way to be hopeful at its core. The feeling is simple and real, like someone who won’t let little things stand in the way of their goals. The words to the song sound like friends talking to each other. They discuss their goals, their drive, and their need for attention in a way that is honest and not needy.

The production backs this up by making sure that everything is open and airy. The instruments are simple and easy to understand, so BluntBrad Jr.’s voice and message come through clearly. The song feels real because it doesn’t have a lot of extra stuff in it. You’re not hearing a heavily constructed persona; you’re hearing someone at the start of a journey, eager to make their mark.