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Iggy Azalea Clarifies “Raising My Son Alone” Comment About Playboi Carti Split
Days after confirming that she and Playboi Carti are no longer together, Iggy Azalea has returned to social media to clarify her previous statements about her relationship. Earlier this year, the two artists welcomed their first child, a baby boy named Onyx. While together, the couple was fiercely private about their romance, even keeping Iggy Azalea away from prying eyes throughout her pregnancy. It came as a surprise when the In My Defense rapper came forward to say that she was a single mother, leading many to believe that Carti wasn’t apart of his child’s life.
Iggy posted enigmatic messages about people “taking loyalty for granted” and wanting to be alone. “What I meant last night was that I’m raising my son alone & I’m not in a relationship,” she previously stated before sharing the first public photos of Baby Onyx. On Monday (October 26), Iggy followed up her original posts with an explanation about Playboi Carti.
“Nothing I said was intended to make it seem like my sons father isn’t part of his life but I’ve noticed a lot of people took it that way, so I wanted to clear the air,” Iggy penned on her Instagram Story. “Onyx is loved by his dad & has always had both parents in his life from day 1.” Meanwhile, Carti has maintained his silence.
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Artist Spotlight
E.G. Phillips unveils where silence speaks the loudest on new release “Empathy for the Night Fly”
The mood of E.G. PHILLIPS’s “Empathy for the Night Fly” is instantly cinematic, dark, introspective, and frozen in time. The track sounds like a scene from a late-night club where everything slows down just enough for feelings to come out. The arrangement is jazz-like in that it lets each part breathe. The arpeggiating Rhodes piano comes and goes, giving the impression that the music is thinking, as if it’s moving.
The song is really about recognition, which is when you hear something in someone else’s voice that reminds you of your own experience. It’s subtle, almost fragile, but it has a big effect on people. That emotional connection is what holds the piece together.
That choice seems deliberate, even defiant. It asks the listener to pay attention differently, not just passively. Every break is a part of the story. E.G. Phillips doesn’t just make the mood; he keeps it going. In that space, “Empathy for the Night Fly” becomes a quiet, powerful look at memory, connection, and shared feelings.
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Artist Spotlight
Firecamino maintains folk storytelling with new release “Juan The Baptist”
“Juan the Baptist” is a stunning single by Firecamino, blending vivid storytelling with charming melody. The laid-back indie song with folk and country influences sounds like an ancient story told around a campfire after a long night.
The song’s central character is a misguided hero, vulnerable and human. Firecamino emphasizes imperfection over perfection, creating a relatable protagonist. That storytelling gives the song a cinematic, intimate feel.
“Juan the Baptist” handles several musical influences well. Folk-inspired writing and country textures add emotion and familiarity. Meanwhile, the cool indie vibe smooths the edges and lets the track flow naturally without being dramatic.
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