Entertainment
Iggy Azalea Seen With Her Baby Boy For The First Time
Iggy Azalea has been remarkably private about the birth of her baby boy, as well as her relationship with Playboi Carti. Keeping quiet for weeks, Iggy finally revealed that the rumors were true. She gave birth to a baby with Carti, choosing to keep his life private and out of the public eye.
Effectively returning to her regular activity on social media, the Australian bombshell has not spoken about her son since revealing his birth. There have additionally been no photos uploaded of him.
For the first time ever, Iggy and her baby were spotted at the Los Angeles airport as they arrived with Playboi Carti’s mother, creating an exciting moment for fans.

Alberto E. Rodriguez/Getty Images
The rapper donned a facemask as Carti’s mom carried the baby. Many people have been criticizing Azalea for not even carrying her little boy but they fail to realize that his grandmother is the one holding him.
“Lol that’s his grandma holding him [clowns],” wrote Trippie Redd in the comments on The Shade Room.
Iggy and Carti’s son is all covered up with a blanket, likely to avoid any paparazzi pictures being taken of him, so this is far from an official reveal. Still, it’s the first time we see the two out in public together.
How long do you think it will be before Iggy and Carti show off their son?
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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