Music
Inspired by Jerry Reed: Harmony Dreamers “Go Country” On Latest Single Release
On October 7th, the global collective led by Byron Lee Scott releases the “Nashville Jam” version of their UK iTunes charting single, “I Come From Earth.”
With the August release of their album, “I Come From Earth,” the global collective, Harmony Dreamers blazed onto the international music scene. The new studio project of prolific songwriter/multi-instrumentalist Byron Lee Scott offers a timely message of worldwide unity with contributions from an array of top-flight musicians from every continent, including 20 international backup singers. The humorous title track has earned Top 15 radio status on UK radio charts, hitting the UK iTunes Pop Songs chart, while racking up more than 40K Spotify streams and over 6K monthly listeners. The lyric video for the song has enjoyed more than 5K youtube views. So, how does an act with Irish and Nigerian bassists, Spanish and Venezuelan percussionists and singers from the U.S., Argentina, and Austria come to record and release a COUNTRY music version of their hit song?
“There are several reasons why I decided to release a country music version of the title track, ‘I Come From Earth,’ said Scott. “This was not a last minute decision. It was recorded at the beginning of the album project. I have always enjoyed artists who can write a song with humor at times, like Joe Walsh. One of my favorite artists of all time is Jerry Reed. I love so many of his songs, and he can do many styles, besides humor. Nevertheless, some of my favorite songs of his were ‘Amos Moses,’ ‘When You’re Hot You’re Hot,’ and ‘Good Lord Mr Ford.’ I think this song speaks to the global concept of the album, connection and togetherness, but in a light-hearted way. And because I have loved the music of Jerry Reed so very much, it seemed natural to try a Nashville- flavored version. I bet heaven is a lot more fun since Jerry arrived.”
“I Come From Earth (Nashville Jam)” drops on October 7th. Watch the lyric video at https://www.youtube.com/watch?v=H8ChN3hE9aA
Harmony Dreamers’ sensational debut album, “I Come From Earth,” is a truly global record in both outlook and execution. The new studio project of prolific songwriter/multi-instrumentalist Byron Lee Scott, it offers a timely message of worldwide unity with contributions from an array of top-flight musicians from every continent, including 20 international backup singers. Ultra-melodic, rich in cultured harmonies, gorgeous orchestrations, and gentle psychedelia, Harmony Dreamers has earned comparisons to timeless greats including Pink Floyd, The Beatles, Steely Dan, and Crosby Stills & Nash. “I Come From Earth” melds diverse influences with a lyrical through-line of connection, togetherness, and optimism. For more information, please visit http://www.harmonydreamers.com
Artist Spotlight
With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change
Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.
Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.
Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.
The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.
Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
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