Artist Spotlight
Intravknows and Xtina Louise give a groovy blueprint to love in “Dating App Introvert”
Intravknows is back with a lighthearted, yet heartfelt addition to his summer series, and this go-round, he’s jumping right into the muck of modern dating. “Dating App Introvert,” showcasing the silky voice of Xtina Louise, renders a hilarious and relatable anthem for introverts all over in the often awkward world of dating apps.
The song’s appeal is its steadfast candor. Intravknows takes that tricky balance of trying to make a connection with someone on the internet, when every swipe and message feels freighted with possibilities, and sets it to an earworm of an indie-pop hook impossible not to hum along to. It’s a witty reminder that, while dating apps offer instant connections, true love can take courage, time, and perhaps a potent whiff of self-awareness.
Xtina Louise’s vocals are the ideal match to Intravknows’ witty storytelling, and her warm and a little sassy tone makes it seem like you’re hearing a conversation with your best friend. There’s a lightness in the track that encourages listeners to follow suit and not recoil from awkwardness, but embracing it is a more complex behavior to find, which makes fidgeting around into musical playfulness despite what feels like an opening for rage.
“Dating App Introvert” is also a soft guide for anyone who is an introvert working their way through the confusing world of online dating. With chuckle-worthy lyrics and an infectious rhythm, it’s the type of song that encourages others to cut through the noise, be themselves, and maybe, just maybe, find that elusive connection. Intravknows reminds us once again that his music is about connecting to the honest truths of how we live and feel in this modern age.
Artist Spotlight
Trashy Annie Drops a Grit-Soaked Masterpiece with “Let It Kill You”
“Let It Kill You,” a 12-track rock journey by Austin’s own Trashy Annie, is now out. It captures everything bold, gritty, and unapologetically honest about modern rock. Award-winning songwriter Annie Davis leads the band. They thrive on the beautiful clash of outlaw-country storytelling and explosive hard rock energy. This new record is their most daring work yet.
“Let It Kill You” is 38 minutes and 18 seconds long, taking listeners on an emotional rollercoaster from heartbreak to redemption and chaos to clarity. It’s the sound of a band that won’t play it safe; instead, they choose to live and die by the fire of their art.
The album starts with loud guitars and vocals that cut through the noise, making it clear right away that Trashy Annie is a force in rock music. “Save Me” mixes the raw power of electric riffs with the vulnerability of soul-baring lyrics. “Some Strange” has a dark, bluesy swagger that oozes danger and desire. Then there’s “Sugar,” a sexy song that stands out because of its catchy hooks and Annie’s fierce, intoxicating voice.
Each song sounds like a page from Annie’s diary, written without fear, emotion, or editing. The band’s blend of country grit, classic rock chaos, and a modern edge makes “Let It Kill You” impossible to ignore. Trashy Annie was born during the pandemic and made in fire. She stands for the spirit of rebirth and rebellion. “Let It Kill You” is a way of life. It’s about going after your passion so hard that it could kill you, but doing it anyway because that’s what makes life real.
Artist Spotlight
Roxy Rawson Finds Light in the Shadows with “I Found a Place in the Woods”
Music is very sacred because it can convey both pain and peace simultaneously. Roxy Rawson‘s new single, “I Found a Place in the Woods,” does just that. This haunting, ethereal masterpiece by well-known composer Jherek Bischoff is out now on November 7th. It’s an emotional landscape made up of solitude, strength, and quiet rebirth. Roxy Rawson transforms folklore into a deeply personal story about her own journey through divorce and starting anew, inspired by the fairy tale “The Three Ravens.” The song takes you to a magical place where loss and healing meet, where grief slowly gives way to hope under the cover of old trees.
Bischoff’s production is both rich and delicate. It layers Rawson’s angelic voice over haunting strings and textures that seem to breathe with life. The song has an organic stillness to it, like being in the woods after a storm, when all you can hear is the rustling of leaves and the sound of your own heartbeat. Roxy’s voice is both weak and strong, like sunlight coming through branches after a long night. Every lyric feels like it was meant to be, and every pause makes you think. It’s the sound of finding yourself again in nature’s quiet embrace, a moment of giving up that turns into a song of survival.
Rawson doesn’t just give you a melody with “I Found a Place in the Woods.” She provides a safe place for you to go. It’s the kind of song that sticks with you long after it ends, like a memory of finding peace in the middle of chaos. This song is one of Roxy Rawson’s most personal and mighty works to date. It’s perfect for fans of ethereal storytelling, cinematic folk, and emotional honesty. It reminds us that beauty can flourish even in the face of loss, and that sometimes healing begins with simply finding a quiet place to be.
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