Entertainment
Jackboy Brings The World To Broward County On “In My City”
Jackboy is really coming into his own as an artist. He’s often looked at as Kodak Black’s right-hand man, though these days, he’s tasked with holding down the Sniper Gang movement on his own while Yak is locked up. He’s continued to provide a serious amount of music this year including his excellent self-titled debut.
As he continues to push new singles out, he returned this week with his latest, “In My City.” Taking it back to the streets of Broward County, Jackboy paints a bleak reality of Broward County. The bluesy guitar riffs match the pain in his voice while he speaks on the paranoia and anxiety growing up in an area where death or jail is common. “Boy you gotta keep a gun cause this shit get hella scary/ My dog just got up outta jail now he in a cemetery/ This real rap no cap this ain’t my imaginary,” Jackboy raps on the hook. Of course, Jackboy does make a concerted effort to take a swipe at both 6ix9ine and Akademiks during the second verse.
Check out his latest song below.
Quotable Lyrics
These n***s snitching just like 6ix9ine, giving info out like Akademiks
How the fuck a street n***a the main witness
How the fuck a street n***a doing police business
I done seen a street n***a do police work
Actin’ like David Lane on paperwork
The ones you ain’t expecting that’s gone be the ones that crack first
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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