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Jason McCourty Calls Out NFL For COVID-19 Safety Protocol: “They Don’t Care”

New England Patriots veteran cornerback Jason McCourty says the NFL and the NFLPA don’t care about player safety. He says it’s up to the players to look out for one another.

Jason McCourty, COVID-19Maddie Meyer / Getty Images

“I think outside of here, the people that don’t have to walk in our building — whether it is the league office, whether it is the NFLPA — they don’t care,” McCourty said. “For them, it is not about our best interest, or our health and safety, it is about, ‘What can we make protocol-wise that sounds good, looks good, and how can we go out there and play games?’ I think what I kind of learned personally throughout this situation is it is going to be up to us as individuals in this building to just really take care of one another.”

Three days after Patriots quarterback Cam Newton tested positive for COVID-19, the team still traveled to Kansas City to take on the Chiefs, Monday night.  The following day, cornerback Stephon Gilmore tested positive for coronavirus. 

“But without a doubt, that’s a thought — the same way you guys are sitting there thinking about it like, ‘Hey, they’re getting on a plane on Monday [to go to Kansas City], well, those days don’t really add up with the incubation period.’ That was the same question we were asking our union before we head out there.”

The Patriots are scheduled to play the Broncos on Monday at 5:00 PM.

[Via]

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ReeToxA confronts the past with truth on “HMAS CERBERUS”

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“HMAS CERBERUS,” ReeToxA’s new single, is a raw, very personal song about his life experiences. The song sounds like Oz rock from the 1990s, and modern alternative and grunge. It sounds brave and familiar at the same time, like a truth kept secret for a long time.

“HMAS CERBERUS” is based on a true story from Jason McKee’s life, and it shows how his ten years in the Navy changed him and how they still do. The song bravely speaks to the emotional toll of service, including alcoholism and mental stress, sincerely.

The poem is what makes the single stand out. The writing is brilliant and stays smart, and it’s hard without being preachy. The singer got the idea for the song when he saw four seasons in one day at a beer garden in Melbourne. It connects the sudden change in the weather to a life that is constantly changing and hiding how you feel. It’s a potent metaphor for a mind that finally stops long enough to figure out where the damage started.

The song “HMAS CERBERUS” is both intense and at the same time. It makes you think, but it’s also surprisingly easy to dance to, which shows that dark themes don’t have to be sad music. The song is both interesting and challenging to listen to because of the gritty guitars and rock base. In a sea of safe releases, ReeToxA stands out as honest, raw, uncomfortable, and necessary. “HMAS CERBERUS” is a brave meditation that stays with you for a long.time

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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