Music

Jeezy Says Recent Deaths In The Hip-Hop Community Pushed Him To Reconcile With Gucci Mane

‘That King Von thing really touched me… Them kids. It ain’t gotta be that way. It was a lot of that,’ the ATL rapper said in an interview. …

One of the biggest hip-hop moments this year occurred on Thursday when Jeezy and Gucci Mane squared off in a much-anticipated Verzuz battle. The two rappers, who have been sworn enemies the last 15 years, ultimately put their differences aside, closing the duel by performing “So Icy” together. It was a satisfying end to the battle, as the bulk of the night was filled with tense moments between. One of those was when the 1017 rapper played his scathing Jeezy diss track “Truth” while taunting his opponent. The following morning, Jeezy stopped by The Breakfast Club to explain why he reconciled with Gucci.

“I just had to make a decision,” Jeezy said. “It’s going to be about what I see going on and how I can contribute and let people understand it’s bigger than us. For all the things you see, that King Von thing really touched me. I know [Lil] Durk well and it was surreal to get that call. Them kids. It ain’t gotta be that way.” He added, “It was a lot of that. What happened to Mo3, what happened to Boosie. It was a crazy weekend.”

The Recession 2 rapper also said he would be down to make music or tour with Gucci at some point in the future.

For me to hear him say on a stage, “You extended the olive branch,” let me know where we’re headed. I would’ve never thought in a million years I would’ve heard that type of verbiage out of his mouth. Look how many times we went out in the world, to come back where we started and see that. What can you say? Even for the people that support us, it’s divided. Shit, that’s the first time in a while I heard “Icy” and thought, “Cool, I can listen to ‘Icy’ again.”

You can watch Jeezy’s full interview on The Breakfast Club above.

Gucci Mane is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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