Entertainment
Juice WRLD Knew His Drug Use Was A Problem On “Wishing Well”
It’s hard to listen to Juice WRLD’s posthumous album Legends Never Die. The late 21-year-old rapper was on a path to superstardom, truly becoming a legend during his short time on this planet. While he may no longer be with us, he knew that his death was preventable. He says so on the new song “Wishing Well,” which some fans affectionately know as “Lauryn Hill.”
The track is the fourteenth song on the tracklist and it speaks to Juice’s struggles with drug addiction. As you likely know, the Chicago artist passed away in December 2019 from an overdose after landing in his hometown. He is said to have downed a lot of pills after the feds were called about the drugs onboard his jet.
Some of the lyrics on “Wishing Well” are incredibly haunting, including when he speaks about how he knows that he won’t be on Earth much longer if he continues on his path to destruction, despite not knowing how he would live without the pills.
“Drugs killing me softly, Lauryn Hill,” he raps on the song.
This is just one of the records on Legends Never Die that deals with the problems Juice WRLD faced in his life.
Long Live Juice WRLD. Stream Legends Never Die here.
Quotable Lyrics:
Sometimes I don’t know how to feel
Let’s be for real
If it wasn’t for the pills, I wouldn’t be here
But if I keep taking these pills, I won’t be here, yeah
I just told y’all my secret, yeah
It’s tearing me to pieces
I really think I need them
I stopped taking the drugs and now the drugs take me
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
-
Artist Spotlight5 days ago“Black Woman Are Not Cheap” by Deportee is a hip-hop statement of respect and identity
-
Artist Spotlight5 days agoLouie Sace sets the dancefloor in motion with latest release “Body Bend”
-
Artist Spotlight4 days ago“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era
-
Artist Spotlight5 days agoGeorge Montague follows the red light home on new release “Home”
-
Artist Spotlight4 days agoOBRUT drops a bomb of an anthem for maximum impact on latest release “2:22”
-
Artist Spotlight4 days agoSaint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”
-
Artist Spotlight5 days agoArianna Kant lives up to her name on latest release “I WANT I DESERVE I CAN”
-
Artist Spotlight5 days agoThee Sinseers reignite romance with latest release “Let’s Fall In Love (Again)”

