Artist Spotlight

Juliette Jemm New Track Released – Mirages Blancs

An emotive beautiful sound is what you get from Juliette Jemm on the new song “Mirages Blancs”. The music truly grabs you right away, because of the love you feel while listening to it. Each element does its part to feed off the other while making one sonically stellar sound. The production sets the ultimate tone with a nice 90’s Pop touch to the sound, that Rose’s vocals glide over effortlessly, to deliver the well-crafted writing that captures the essence of love songs, to make it a record that sticks with you.

For Juliette Jemm, it is this power, a little magical, completely instinctive, to create melodies, and compose music, easily, instantly. But it is not easy to create music. It tears apart the brain in two between the day at work and the evening spent in the living room-home studio. But she can’t quit. She is not a quitter.

While Juliette Jemm is releasing a new song, she is moving on. She lived for a long time in Tokyo, Japan. Thanks to it, she can adapt. She is able to acclimate. She is able to live in tiny flats. It is yet another skill of her. She is exhausting to herself, fabulous to others.

The song “Mirages blancs” is sad and emotional. It is in French. When you play it, people get very moved. The song topic is similar to the one of last Stromae’s song, “L’enfer”. The song was co-produced with the Japanese composer Shohei Narabe (Drum TAO, Kome Kome Club), and the French artist-producer Nampa.

The artist-producer NAMPA, whose song “Fabulous” met great success in 2018 with notably 1.5 million streams on Spotify, and who is the prod-real of the second album of Juliette Jemm, that is currently in making.

Juliette Jemm released her EP, Motto Blonde, in November 2019. She collaborates/has collaborated with Sugar Sweetie, Julia Mascetti, Jesse The City, and Yonaga orchestra. Juliette Jemm sings in French and in English. Sometimes in Japanese. She speaks fluent Japanese. She has lived 8 years in Tokyo. So some of her inspiration comes from the land of the rising sun.

Juliette Jemm works best on Dance-pop, Electro-pop, Indie pop, & International pop.

Instagram: https://www.instagram.com/juliettejemm/

Spotify: https://open.spotify.com/artist/49qEi5pTvgsJN1X8bt9yRC

Tweet LinkedIn PinShares0

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

Connect – Website | FB | IG | TikTok | X |

Tweet LinkedIn PinShares0

Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

Connect – Website | IG |