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Kansas City Cop Kneels On Pregnant Black Woman’s Back During Arrest
Protestors have been gathered outside of Kansas City’s Town Hall for the last five days, according to CNN, all because of the unjust arrest of a 25-year-old woman named Deja Stallings. During her arrest, an officer kneeled on her back, which people are furious about because she is nine-months pregnant.
In a statement released by the Kansas City Police Department, the incident is explained as such.
The cops were called because of a fight involving 15-20 people at a gas station. The owner of the gas station told officers that he “wanted everyone off the property who wasn’t buying anything” minutes after they arrived. After a man interfered with the police’s attempts to clear the area, Stallings was reportedly among two people that tried to pull the man away from the cops, resulting in her own arrest.
One witness, Chanel Le’Yoshe, claims that there was actually no fighting or arguing before the police arrived. The gathering was apparently planned by an activist to release balloons into the air to honor a victim of violence.
According to Stallings’ attorney Stacy Shaw, Stallings only stepped between the suspect and the officers for a brief moment, which is shown on the security video, but that the officers swiftly avoided her to continue running after the man. Then, an officer tried to arrest Stallings while she was standing, and “she continued to physically resist arrest, at which point he placed her on the ground to effect the arrest”.
Her arrest was not in view of the security camera.
In videos shared on social media though, Stallings is on the ground, on her front side, with an officer placing their knee on her back. The police claims that the officer took the right measures to not apply pressure with his legs but Shaw argues otherwise.
“The question is only why this officer body-slammed a pregnant woman and put his knee and her back,” Shaw says. “What they’re saying is because they asked her to leave, because she was pulling this away from an officer that that somehow justifies a white, large officer, body slamming 120-some pound, nine-month pregnant woman, twisting her arm above her head and kneeling in her back.”
Protestors outside City Hall are calling for resignations of the officers involved. They are also asking for the Police Chief to resign, and for 50% of police funding to be redirected to social services for the Black community.
Stallings went to the hospital shortly after her arrest and her baby appears to be alright.
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Wyn Calico create the need to support with his latest release “Support”
Wyn Calico steps into deeply personal territory with his latest single, “Support,” a heartfelt offering that addresses a feeling many people know, but rarely express so openly. It’s a song about the universal desire to be encouraged, recognised, and uplifted, turning personal frustration into a relatable message of resilience.
“Support” is a meditation on what it feels like to work tirelessly for something you want, but not have the support you need to fully achieve it. Wyn Calico expresses the emotional burden of wanting to make a difference, believing in your purpose, and still moving forward when you hit setbacks. The song is not only about disappointment, but also a rallying cry of resilience in the face of adversity.
This song also highlights an important truth, there are many talented and hard-working people out there who have everything it takes to make a difference, except the encouragement and opportunity to flourish. Wyn Calico’s lyrics and delivery shine a light on that struggle and offer a sense of solidarity to those in similar situations.
“Support” isn’t just a personal statement. It’s a conversation starter. It encourages us to think about the value of community, support, and believing in each other. Wyn Calico’s latest drop is honest, relatable, and emotionally driven, a powerful reminder that even in the moments of isolation, the desire to keep pushing forward is still stronger than ever.
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“Wrong Turn” shows the strength of live performance from the get-go. Each instrument feels alive and in conversation with the others, a dynamic dialogue that develops organically over the course of the piece. Without vocal guidance, each musical phrase is left to speak for itself, giving the listener the freedom to interpret the track in their own way.
The guitar and keyboards often lead, crafting complex melodic lines and textures that give the music direction and atmosphere. Meanwhile, the bass and drums lay down a solid rhythmic base, creating movement and momentum while still leaving a lot of room for exploration. NNORDY creates a track that both dedicated jazz fans and listeners looking for something adventurous and fresh will enjoy. “Wrong Turn” shows that instrumental music can be as expressive and compelling as vocal music.
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