Entertainment
Keith Sweat’s Classic “Nobody” Has Been Hilariously Gentrified To Celebrate Joe Biden Defeating Donald Trump [Video]
White couple remixes Keith Sweat’s “Nobody” to celebrate Biden beating Trump …
Usually, stuff like this is a cringefest, however…
America is still celebrating. Donald Trump’s loss is far sweeter than the Biden-Harris victory. That’s not a knock on the President and Vice President-elect but we’ve been suffering this fool for four long-ass years and the sense of relief is too great to be overshadowed by the reality of winning.
People did all sorts of things to express their emotions about the moment at-hand but singing was without question the most popular form of self-expression that we have seen over the past week. We’ve highlighted one of them by producer Jay Diggs but this one from *checks notes* Mike and Heather Hill is epic.
Using the melody from Keith Sweat’s classic croonfest “Nobody”, Mike and Heather performed a Biden-Harris remix that would paint Puff Daddy green with envy. It isn’t often that white folks would be praised for their use of Black culture but this one is pretty damn good. No cap. Press play down below and hit the comment section with your thoughts!
No word from Keith about what he thinks of this but we’re definitely waiting because we need to know!
Entertainment
The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia
The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”
They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”
The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.
That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.
Entertainment
Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo
Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.
The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.
Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.
This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.
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