Music

Kendrick Lamar’s Houston Blockade, ‘Not Like Us’ Allegedly Banned from Local Hotspots

The decade-long feud between Drake and Kendrick Lamar has reached new heights, marked by a series of scathing diss tracks that have captivated fans worldwide. It all began with “Like That,” followed by “Push-Ups,” and escalated with “Euphoria.” However, the night of May 3rd was unforgettable, as “Family Matters” sent shockwaves through the hip-hop community, only for “Meet The Grahams” to leave everyone stunned.

The day after this historic showdown, Kendrick Lamar dropped another bombshell with “Not Like Us.” This track quickly became the anthem of their beef, holding the number-one spot globally for weeks. Yet, despite its immense popularity, Houston seems to be a notable exception. Reports suggest that several establishments in the city have allegedly banned “Not Like Us.”

The reasons behind this apparent ban remain unclear, but speculation points toward Drake’s influence. Drake, known for his frequent visits to Houston and ties to local mogul J Prince, could potentially sway such decisions. However, no concrete evidence supports these claims. DJs in Texas, beware—playing “Not Like Us” might not go down well.

What do you think about this situation? Is Drake pulling the strings behind the scenes? How do you feel about Houston clubs acting as if this track doesn’t exist? Share your thoughts in the comments below. Stay tuned to Honk Magazine for the latest updates on your favorite artists and their upcoming projects.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

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NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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