Music
KIEY drops unrequited longing with his single, “White Boy I Sat Next to on the Plane”
The burgeoning musical sensation from Vietnam, KIEY, takes listeners on an emotional voyage with his latest pop single, “White Boy I Sat Next to on the Plane.” This mesmerizing track offers a glimpse into KIEY’s world of unrequited love and poignant introspection, characterized by haunting melodies and heartfelt lyricism that encapsulate KIEY’s unique musical style.
The musical piece “White Boy I Sat Next to on the Plane” by KIEY represents an intensely personal narrative inspired by a true-life encounter. The song portrays the nuances of desire and missed opportunities as KIEY reflects on interacting with an intriguing stranger during a flight. Through soul-stirring vocals and minimalist instrumentation, KIEY vividly depicts a fleeting moment that brims with untapped potential and lingering regret.
With this single, KIEY exhibits his versatility as an artist by embracing a more stripped-down, indie-inspired sound that resonates with raw authenticity. The track’s sparse arrangement, which consists of laidback drums, pianos, and strings, allows KIEY’s emotive vocals to take center stage, drawing listeners into the depths of his emotions.
“White Boy I Sat Next to on the Plane” provides a tantalizing preview of KIEY’s forthcoming album, offering a glimpse into his evolving musical adventures, artistic growth, and boundless potential. KIEY’s unique sonic identity draws inspiration from diverse influences, including Troye Sivan, Lana Del Rey, and Bjork. He continues pushing boundaries and exploring new creative horizons with tracks that will delight fans and critics alike.
With its infectious melodies and evocative storytelling, “White Boy I Sat Next to on the Plane” will captivate audiences and leave a lasting impression. The single serves as a testament to KIEY’s undeniable talent as a rising star in the music industry. KIEY has become a proficient musician, captivating audiences with mesmerizing soundscapes and heartfelt lyricism. As his career progresses, we eagerly anticipate his next move enthusiastically. I recommend listeners keep an ear out for KIEY’s future ventures.
CLICK HERE TO STREAM KIEY’s “White Boy I Sat Next to on the Plane“ on Spotify.
CONNECT WITH KIEY | Instagram | Facebook |
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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